Biblio
] Filters: Author is Xavier Serra [Clear All Filters]
(2012). Rāga Recognition based on Pitch Distribution Methods.
Journal of New Music Research. 41, 337-350. Abstract
(2013). A knowledge-based approach to computational analysis of melody in Indian art music.
International Workshop on Semantic Music and Media, International Semantic Web Conference. 1-10. Abstract
(2014). Intonation analysis of rāgas in Carnatic music.
Journal of New Music Research. 43(1), 72-93. Abstract
(2018). Transfer Learning of Artist Group Factors to Musical Genre Classification.
WWW ’18 The Web Conference 2018. Abstract
(2015). Statistical modelling and resynthesis of environmental texture sounds.
Department of Information and Communication Technologies. 171. Abstract
(2016). MORTY: A Toolbox for Mode Recognition and Tonic Identification.
3rd International Digital Libraries for Musicology Workshop (DLfM 2016). 9-16. Abstract
(2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation.
Department of Information and Communication Technologies. Abstract
(2009). Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval.
Journal of Virtual Worlds Research. 2(3), 4-6. Abstract
(2009). Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept.
(, Ed.).Sound and Music Computing Conference. 297-302. Abstract
(2008). Singing-driven Interfaces for Sound Synthesizers.
Department of Information and Communication Technologies. Abstract
(2016). Melody Transcription Framework using Score Information for Noh Singing.
International Conference on Creative Content Technologies (CONTENT 2016). Abstract
(1999). A proposal for the description of audio in the context of MPEG-7.
European Workshop on Content-Based Multimedia Indexing. Abstract
(2005). SIMAC Semantic interaction with music audio contents.
2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
(1999). Audio Descriptors and Descriptor Schemes in the Context of MPEG-7.
International Computer Music Conference. Abstract
(2018). MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR.
Information and Communication Technologies. 241+xiii. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2000). Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques.
International Conference on Music Information Retrieval. Abstract
(2009). What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2010). Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events..
Departament de Tecnologies de la Informació i les Comunicacions. 119. Abstract
(2013). Statistical Distribution of Common Audio Features.
Department of Information and Communication Technologies. 203. Abstract
(2015). Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings.
16th International Society for Music Information Retrieval (ISMIR) Conference. 385-391. Abstract
(2015). Improving Melodic Similarity in Indian Art Music Using culture-Specific Melodic Characteristics.
International Society for Music Information Retrieval Conference. 680-686. Abstract
(2014). Melodic Pattern Extraction in Large Collections of Music Recordings Using Time Series Mining Techniques.
International Society for Music Information Retrieval Conference (Late breaking demo). Abstract
