Biblio
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(2012). Characterization of Intonation in Karṇāṭaka Music by Parametrizing Context-based Svara Distributions.
2nd CompMusic Workshop. Abstract
(2016). Towards a multimodal knowledge base for Indian art music: A case study with melodic intonation.
Department of Information and Communication Technologies. 242. Abstract
(2012). Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms.
International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
(2018). Transfer Learning of Artist Group Factors to Musical Genre Classification.
WWW ’18 The Web Conference 2018. Abstract
(2015). Statistical modelling and resynthesis of environmental texture sounds.
Department of Information and Communication Technologies. 171. Abstract
(2016). MORTY: A Toolbox for Mode Recognition and Tonic Identification.
3rd International Digital Libraries for Musicology Workshop (DLfM 2016). 9-16. Abstract
(2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation.
Department of Information and Communication Technologies. Abstract
(2008). Singing-driven Interfaces for Sound Synthesizers.
Department of Information and Communication Technologies. Abstract
(2009). Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval.
Journal of Virtual Worlds Research. 2(3), 4-6. Abstract
(2009). Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept.
(, Ed.).Sound and Music Computing Conference. 297-302. Abstract
(2016). Melody Transcription Framework using Score Information for Noh Singing.
International Conference on Creative Content Technologies (CONTENT 2016). Abstract
(1999). Audio Descriptors and Descriptor Schemes in the Context of MPEG-7.
International Computer Music Conference. Abstract
(2018). MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR.
Information and Communication Technologies. 241+xiii. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2000). Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques.
International Conference on Music Information Retrieval. Abstract
(1999). A proposal for the description of audio in the context of MPEG-7.
European Workshop on Content-Based Multimedia Indexing. Abstract
(2005). SIMAC Semantic interaction with music audio contents.
2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
(2009). What/when causal expectation modelling applied to audio signals.
Connection Science. 21(2-3), 119 – 143. Abstract
(2010). Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events..
Departament de Tecnologies de la Informació i les Comunicacions. 119. Abstract
(2013). Statistical Distribution of Common Audio Features.
Department of Information and Communication Technologies. 203.
(2015). Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings.
16th International Society for Music Information Retrieval (ISMIR) Conference. 385-391. Abstract
(2014). Automatic Tonic Identification in Indian Art Music: Approaches and Evaluation.
Journal of New Music Research. 43(1), 53-71. Abstract
(2016). Discovering Rāga Motifs by Characterizing Communities in Networks of Melodic Patterns.
41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016) . 286-290. Abstract
