Biblio
] Filters: Author is Emilia Gómez [Clear All Filters]
(2014). Flamenco music and its computational study.
BRIDGES: Mathematical Connections in Art, Music, and Science.
(2010). Identifying violin performers by their expressive trends .
Intelligent Data Analysis. 14(5), 555-571. Abstract
(2015). Life Soundtracking: promises and challenges of automated systems aimed to recovering meaningful music for Alzheimer's patients.
International Workshop on Quantitative and Qualitative Music Therapy Research. 19. Abstract
(2017). Acoustic scene classification by ensembling gradient boosting machine and convolutional neural networks.
Workshop on Detection and Classification of Acoustic Scenes and Events. Abstract
(2016). An analysis of agreement in classical music perception and its relationship to listener characteristics.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 578-583. Abstract
(2018). Analysis of Intonation in Unison Choir Singing.
15th International Conference on Music Perception and Cognition (ICMPC).
(2017). An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets.
18th International Society for Music Information Retrieval Conference. Abstract
(2012). Analyzing Melodic Similarity Judgements in Flamenco a Cappella Singing.
International Conference on Music Perception and Cognition.
(2015). Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming.
Sound and Music Computing Conference.
(2009). Aproximación interdisciplinar al análisis melódico de los cantes a capella.
I Congreso Interdisciplinar Investigación y Flamenco.
(2010). Audio cover song identification and similarity: background, approaches, evaluation, and beyond.
(, Ed.).Advances in Music Information Retrieval. 274, 307-332. Abstract
(2008). Audio cover song identification based on tonal sequence alignment .
IEEE International Conference on Acoustics, Speech and Signal processing (ICASSP). 61-64. Abstract
(2005). Audio Fingerprinting Concepts and Applications..
233-245. Abstract
(2003). Audio Watermarking and Fingerprinting For Which Applications?.
Journal of New Music Research. 32, Abstract
(2005). Automatic characterization of dynamics and articulation of expressive monophonic recordings.
AES 118th Convention. Abstract
(2006). Automatic characterization of ornamentation from bassoon recordings for expressive synthesis.
9th International Conference on Music Perception and Cognition. Abstract
(2012). Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings.
III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
(2011). Automatic Detection of Ornamentation in Flamenco Music.
4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
(2008). Automatic Melodic Transcription of Flamenco Singing.
Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
(2016). Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies.
13th Sound and Music Computing Conference (SMC 2016). Abstract
(2014). Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
International Computer Music Conference/Sound and Music Computing Conference.
