Biblio
] Filters: Author is Emilia Gómez [Clear All Filters]
(2013). ESSENTIA: an Open-Source Library for Sound and Music Analysis.
ACM International Conference on Multimedia (MM'13). 855-858. Abstract
(2013). Fundamental frequency alignment vs note-based melodic similarity for singing voice assessment.
8th IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).
(2013). Using Voice Suppression Algorithms to improve Beat Tracking in the Presence Of Highly Predominant Volcals.
International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2013). Abstract
(2013). PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences.
SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
(2013). Caracterización automática del cante flamenco a base de análisis de grabaciones..
Investigación y Flamenco (INFLA).
(2014). ESSENTIA: an open source library for audio analysis.
ACM SIGMM Records. 6(1), Abstract
(2014). Forum on transcription.
Twentieth-Century Music. 11(1), 101-161.
(2014). Music Information Retrieval: Recent Developments and Applications.
Foundations and Trends in Information Retrieval. 8(2-3), 127-261. Abstract
(2014). Melody Extraction from Polyphonic Music Signals: Approaches, Applications and Challenges.
IEEE Signal Processing Magazine. 31(2), 118-134. Abstract
(2014). Melody extraction in symphonic classical music: a comparative study of mutual agreement between humans and algorithms.
9th Conference on Interdisciplinary Musicology – CIM14.
(2014). Hierarchical multi-scale set-class analysis.
Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 1-14. Abstract
(2014). Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music.
4th International Workshop On Folk Music Analysis. Abstract
(2014). Flamenco music and its computational study.
BRIDGES: Mathematical Connections in Art, Music, and Science.
(2014). Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors.
International Computer Music Conference/Sound and Music Computing Conference.
(2014). Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction..
International Computer Music Conference/Sound and Music Computing Conference. Abstract
(2014). Computational models for perceived melodic similarity in a cappella flamenco cantes.
15th International Society for Music Information Retrieval Conference.
(2014). MIR.EDU: AN OPEN-SOURCE LIBRARY FOR TEACHING SOUND AND MUSIC DESCRIPTION.
International Society for Music Information Retrieval conference. Late Breaking Demo.
(2014). Systematic multi-scale set-class analysis.
15th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2014). What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?.
15th International Society for Music Information Retrieval Conference. 573-578. Abstract
(2014). There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients.
The Neurosciences and Music V.
(2014). Multi-feature beat tracking.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 22(4), 816 - 825 . Abstract
(2015). Contextual set-class analysis.
(, Ed.).Computational Music Analysis. 81-110. Abstract
(2015). FlaBase: Towards the Creation of a Flamenco Music Knowledge Base.
16th International Society for Music Information Retrieval Conference. Abstract
(2015). Melody extraction by means of a source-filter model and pitch contour characterization (MIREX 2015).
Music Information Retrieval Evaluation eXchange (MIREX).
(2015). Melovizz: A Web-based tool for Score-Informed Melody Extraction Visualization.
ISMIR (Late Breaking Demo).
