Biblio
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(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2018). Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination.
Department of Information and Communication Technologies. 234. Abstract
(2018). Similarity and Style in Electronic Dance Music Drum Rhythms.
Department of Information and Communications Technologies. Abstract
(2017). A Study of Tonal Practises In Electronic Dance Music.
Ninth European Music Analysis Conference . Abstract
(2017). Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis.
International Symposium on Computer Music Multidisciplinary Research.
(2017). The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation.
Third International Conference on Technologies for Music Notation and Representation. Abstract
(2017). A Multi-Profile Method for Key Estimation in EDM.
AES International Conference on Semantic Audio. Abstract
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2016). Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2016). Key Estimation in Electronic Dance Music.
38th European Conference on Information Retrieval. 335-347. Abstract
(2016). Drumming with style: From user needs to a working prototype.
16th International Conference on New Interfaces for Musical Expression. 365-370.
(2016). Exploring the Benefits of 2D V isualizations for Drum Samples Retrieval.
ACM on Conference on Human Information Interaction and Retrieval 2016. 329-332. Abstract
(2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2016). An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2016). Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction.
Transactions on Computer-Human Interaction (TOCHI). 23(1), Abstract
(2016). Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
(, Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms.
Sound and Music Computing Conference 2015. Abstract
(2015). PAD and SAD: Two awareness-weighted rhythmic similarity distances.
16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2015). Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception.
11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
(2015). Expanding tangible tabletop interfaces beyond the display.
Information and Communication Technologies. 194. Abstract
(2015). Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
