Biblio
] Filters: Author is Sergi Jordà [Clear All Filters]
(2011). Implicit Interaction in Collaborative Music Performances.
FutureBNCI. 1.
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation.
Department of Information and Communication Technologies. Abstract
(2015). Expanding tangible tabletop interfaces beyond the display.
Information and Communication Technologies. 194. Abstract
(2018). Similarity and Style in Electronic Dance Music Drum Rhythms.
Department of Information and Communications Technologies. Abstract
(2018). Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination.
Department of Information and Communication Technologies. 234. Abstract
(2011). Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition.
Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
(1999). Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet.
Leonardo Music Journal. 9, 5-12. Abstract
(2002). FMOL Toward User-Friendly, Sophisticated New Musical Instruments.
Computer Music Journal. 26, pp 23-39. Abstract
(2002). Improvising with Computers A Personal Survey (1989-2001).
Journal of New Music Research. 31, pp 1-10. Abstract
(2005). Instruments and Players Some thoughts on digital lutherie.
Journal of New Music Research. 33, Abstract
(2016). An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2010). Interactive surfaces and tangibles.
XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
(1999). Internet. Cap a Noves Formes d'entendre la Creació Musical?.
Revista Musical Catalana. 1,
(1998). La computadora-ahorra-técnicos... y algo más.
Virtualia. México D.F..
(2008). On Stage: the Reactable and other Musical Tangibles go Real.
International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
(2016). Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction.
Transactions on Computer-Human Interaction (TOCHI). 23(1), Abstract
(2010). The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music.
Her&Mus. Heritage & Museography. 36-43. Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2015). Towards Concurrent Multi-Tasking in Shareable Interfaces.
Journal of Computer Supported Collaborative Work. 25,
(2001). Architectural Overview of a System for Collaborative Music Composition over the Web.
International Computer Music Conference. 298-301. Abstract
(2011). BeatJockey: A new tool for enhancing DJ skills.
New Interfaces for Musical Expression (NIME). 288-291. Abstract
