Biblio

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A
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
B
Bencina, R., Kaltenbrunner M., & Jordà S. (2005).  Improved Topological Fiducial Tracking in the reacTIVision System. Abstract
Bosi, M., & Jordà S. (2012).  Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled Force Sensing Resistors. NIME'12. Abstract
application/pdf icon257_Final_Manuscript.pdf
C
Carrascal, J., & Jordà S. (2011).  Multitouch interface for audio mixing. New Interfaces for Musical Expression, NIME.
Catala, A., Jaen J., van Dijk B., & Jordà S. (2012).  Exploring tabletops as an effective tool to foster creativity traits. Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
F
Faraldo, Á., Jordà S., & Herrera P. (2017).  A Study of Tonal Practises In Electronic Dance Music. Ninth European Music Analysis Conference . Abstract
Faraldo, Á. (2018).  Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination. Department of Information and Communication Technologies. 234. Abstract
Faraldo, Á., Jordà S., & Herrera P. (2017).  A Multi-Profile Method for Key Estimation in EDM. AES International Conference on Semantic Audio. Abstract
application/pdf iconaes_FARALDO_cameraReady.pdf
Faraldo, Á., Jordà S., & Herrera P. (2017).  The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation. Third International Conference on Technologies for Music Notation and Representation. Abstract
Faraldo, Á., Gómez E., Jordà S., & Herrera P. (2016).  Key Estimation in Electronic Dance Music. 38th European Conference on Information Retrieval. 335-347. Abstract
G
Gallardo, D., & Jordà S. (2013).  SLFiducials: 6DoF markers for tabletop interaction. Proceedings of the 2013 ACM international conference on Interactive tabletops and surfaces.
application/pdf iconITS13_CameraREADY.pdf
Gallardo, D., Julià C. F., & Jordà S. (2009).  Turtan: Un lenguaje de programación tangible. (AIPO, Ed.).Interacción 2009. Abstract
application/pdf iconTurTanCut.pdf
Gallardo, D. (2015).  Expanding tangible tabletop interfaces beyond the display. Information and Communication Technologies. 194. Abstract
application/pdf iconDaniel Gallardo's Thesis
Gallardo, D., & Jordà S. (2010).  Tangible Jukebox: Back to palpable music. Tangible Embedded and Embodied Interaction. Abstract
Gallardo, D., Julià C. F., & Jordà S. (2008).  TurTan: a Tangible Programming Language for Creative Exploration. Third annual IEEE international workshop on horizontal human-computer systems (TABLETOP). Abstract
Gallardo, D., Julià C. F., & Jordà S. (2013).  Using MTCF for live prototyping on tablet and tangible tabletop devices. TEI.
application/pdf icon2013 TEI13 MTCF Studio.pdf
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Evaluating rhythm similarity distances: The effect of inducing the beat. Rhythm production and perception workshop. 57.
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Rhythm Spaces. 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception. 11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
application/pdf iconFull text
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. (Kronland-Martinet R., Aramaki M., Ystad S., Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
Gómez-Marín, D., Jordà S., & Herrera P. (2017).  Drum rhythm spaces: from global models to style-specifc maps. 13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
Gómez-Marín, D. (2018).  Similarity and Style in Electronic Dance Music Drum Rhythms. Department of Information and Communications Technologies. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
application/pdf iconpad and sad.pdf
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