Biblio
Filters: Author is Sergi Jordà [Clear All Filters]
Multitouch interface for audio mixing.
New Interfaces for Musical Expression, NIME.
(2011).
Exploring tabletops as an effective tool to foster creativity traits.
Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
(2012).
Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination.
Department of Information and Communication Technologies. 234. Abstract
(2018).
A Multi-Profile Method for Key Estimation in EDM.
AES International Conference on Semantic Audio. Abstract
(2017).
The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation.
Third International Conference on Technologies for Music Notation and Representation. Abstract
(2017).
Key Estimation in Electronic Dance Music.
38th European Conference on Information Retrieval. 335-347. Abstract
(2016).
A Study of Tonal Practises In Electronic Dance Music.
Ninth European Music Analysis Conference . Abstract
(2017).
Expanding tangible tabletop interfaces beyond the display.
Information and Communication Technologies. 194. Abstract
(2015).
Tangible Jukebox: Back to palpable music.
Tangible Embedded and Embodied Interaction. Abstract
(2010).
TurTan: a Tangible Programming Language for Creative Exploration.
Third annual IEEE international workshop on horizontal human-computer systems (TABLETOP). Abstract
(2008).
(2013).
SLFiducials: 6DoF markers for tabletop interaction.
Proceedings of the 2013 ACM international conference on Interactive tabletops and surfaces.
(2013).
(2009).
The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music.
Her&Mus. Heritage & Museography. 36-43. Abstract
(2010).
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences.
SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
(2013).
Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception.
11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
(2015).
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
( , Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2016).
Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2017).
Similarity and Style in Electronic Dance Music Drum Rhythms.
Department of Information and Communications Technologies. Abstract
(2018).
PAD and SAD: Two awareness-weighted rhythmic similarity distances.
16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2015).
Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
(2015).
Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2016).