Biblio
Filters: Author is Perfecto Herrera [Clear All Filters]
Transposing Chroma Representations to a Common Key.
IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48. Abstract
(2008).
Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections.
16th International Society for Music Information Retrieval (ISMIR) Conference. 364-370. Abstract
(2015).
(2003).
Using morphological description for generic sound retrieval.
International Conference on Music Information Retrieval. Abstract
(2003).
Vibrato Extraction and Parameterization in the Spectral Modeling Synthesis framework.
Digital Audio Effects 1998. Abstract
(1998).
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?.
15th International Society for Music Information Retrieval Conference. 573-578. Abstract
(2014).
Audio cover song identification and similarity: background, approaches, evaluation, and beyond.
( , Ed.).Advances in Music Information Retrieval. 274, 307-332. Abstract
(2010).
Automatic Classification of Pitched Musical Instrument Sounds.
( , Ed.).Signal Processing Methods for Music Transcription. Abstract
(2006).
Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines.
( , Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
(2009).
Content Processing of Music Audio Signals.
( , Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
(2008).
Música y Persuasión.
La música y su reflejo en la sociedad. 27-38. Abstract
(2009).
Representing Music as Work in Progress.
Structuring Music through Markup Language: Designs and Architectures. 119-134.
(2013).
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
( , Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2016).
(2012).