Biblio
] Filters: Author is Perfecto Herrera [Clear All Filters]
(2015). PAD and SAD: Two awareness-weighted rhythmic similarity distances.
16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2004). Percussion Classification in polyphonic audio recordings using localized sound models.
5th International Conference on Music Information Retrieval (ISMIR'04). Abstract
(2004). Percussion-related Semantic Descriptors of Music Audio Files.
AES 25th International Conference. Abstract
(2001). Pitch-based Solo Location.
Abstract
(2009). Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study .
Sound and Music Computing Conference. Abstract
(2010). Polyphonic Instrument Recognition for exploring semantic Similarities in Music.
International Conference on Digital Audio Effects (DAFx). Abstract
(2008). Poster - Modeling the Acquisition of Statistical Regularities in Tone Sequences.
CogSci 2008.
(2012). Power-Law Distribution in Encoded MFCC Frames of Speech, Music, and Environmental Sound Signals.
21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 895-902.
(1999). A proposal for the description of audio in the context of MPEG-7.
European Workshop on Content-Based Multimedia Indexing. Abstract
(2011). Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music.
International Society for Music Information Retrieval Conference (ISMIR). Abstract
(2013). Recurrence Quantification Analysis Features for Environmental Sound Recognition.
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). 1-4.
(2008). Relevance Feedback in An Adaptive Space with One-Class SVM for Content-Based Music Retrieval.
IEEE International Conference on Audio, Language and Image Processing 2008. Abstract
(2013). Representing Music as Work in Progress.
Structuring Music through Markup Language: Designs and Architectures. 119-134.
(2016). Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2005). The Rhythm Transform: Towards A Generic Rhythm Description.
International Computer Music Conference. 1311. Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2010). Rocking around the clock eight days a week: an exploration of temporal patterns of music listening.
1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
(2009). The Role of Loudness in Detection of Surprising Events in Music Recordings.
7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
(2013). The roles of superficial amygdala and auditory cortex in music-evoked fear and joy.
NeuroImage. 81(1), 49-60.
(2009). Scalability, generality and temporal aspects in automatic recognition of predominant musical instruments in polyphonic music.
Conference of the International Society for Music Information Retrieval (ISMIR). Abstract
(2006). Search Sounds An audio crawler focused on weblogs.
7th International Conference on Music Information Retrieval (ISMIR). Abstract
