Biblio
] Filters: Author is Perfecto Herrera [Clear All Filters]
(2014). There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients.
The Neurosciences and Music V.
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(2011). Music Perception with Current Signal Processing Strategies for Cochlear Implants.
Isabel 2011. Abstract
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms.
Sound and Music Computing Conference 2015. Abstract
(2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis.
International Symposium on Computer Music Multidisciplinary Research.
(2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2017). Effects of voice, instrumentation and production on the recognition of emotions communicated by pop-rock songs .
I Congreso Internacional de Psicología de la Música y la Interpretación Musical. Abstract
(2005). Semantic Segmentation Of Music Audio Contents.
International Computer Music Conference. Abstract
(2004). Computing Structural Descriptions of Music through the Identification of Representative Excerpts from Audio Files.
International Computer Music Conference (ICMC). Abstract
(2008). Computational Models of Similarity for Drum Samples .
IEEE Transactions on Audio, Speech, and Language Processing . 16(2), 408-423. Abstract
(2004). Hierarchical organization and visualization of drum sample libraries.
7th International Conference on Digital Audio Effects (DAFx'04). Abstract
(2013). Aural-based detection and assessment of real versus artificially synchronized string quartet performance.
3rd International Conference on Music & Emotion. Abstract
(2001). Pitch-based Solo Location.
Abstract
(2008). Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(2009). Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study .
Sound and Music Computing Conference. Abstract
(2008). Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2004). Morphological sound description computational model and usability evaluation.
AES 116th Convention. Abstract
(2003). Towards computational morphological sound description.
Musicnetwork Workshop - IRCAM Ressonances.
(2003). Using morphological description for generic sound retrieval.
International Conference on Music Information Retrieval. Abstract
(2007). Comparing audio descriptors for singing voice detection in music audio files.
11º Simpósio Brasileiro de Computação Musical (SBCM07). Abstract
