Biblio
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(2010). Detection of polyphonic music note onsets by application of the Bayesian Theory of Surprise.
ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition. Abstract
(2005). Detrended Fluctuation Analysis of Music Signals Danceability Estimation and further Semantic Characterization.
AES 118th Convention. Abstract
(2008). The Development of Melodic Representations at Early Age: Towards a Computational Model..
Music, Language and the Mind 2008. Abstract
(2010). Development of Perception and Representation of Rhythmic Information: Towards a Computational Model.
2010 IEEE 9th International Conference on Development and Learning. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2017). Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2016). Drumming with style: From user needs to a working prototype.
16th International Conference on New Interfaces for Musical Expression. 365-370.
(2010). Ecological acoustics perspective for content-based retrieval of environmental sounds.
EURASIP Journal on Audio, Speech, and Music Processing. 2010, 960863 . Abstract
(2017). Effects of voice, instrumentation and production on the recognition of emotions communicated by pop-rock songs .
I Congreso Internacional de Psicología de la Música y la Interpretación Musical. Abstract
(1999). Els nous mitjans per a l'experimentació musical quan la tecnologia esdevé quelcom més que una eina.
Transversal. Revista de cultura contemporània. 8,
(2019). The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement.
Workshop-Symposium on Research Methods in Music and Emotion. Abstract
(2017). Environmental sound recognition using short-time feature aggregation.
Journal of Intelligent Information Systems. 1-19.
(2013). ESSENTIA: an Audio Analysis Library for Music Information Retrieval.
International Society for Music Information Retrieval Conference (ISMIR'13). 493-498. Abstract
(2014). ESSENTIA: an open source library for audio analysis.
ACM SIGMM Records. 6(1), Abstract
(2013). ESSENTIA: an Open-Source Library for Sound and Music Analysis.
ACM International Conference on Multimedia (MM'13). 855-858. Abstract
(2004). Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies.
5th International Society for Music Information Retrieval (ISMIR) Conference. 92-95. Abstract
(2015). Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2007). Expectation Along The Beat A Use Case For Music Expectation Models.
International Computer Music Conference. Abstract
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(2012). Factors in human recognition of timbre lexicons generated by data clustering.
Sound and Music Computing Conference (SMC2012). Abstract
(2005). Foafing the music: A music recommendation system based on RSS feeds and user preferences.
6th International Conference on Music Information Retrieval (ISMIR). 464-467. Abstract
