Biblio
] Filters: Author is Perfecto Herrera [Clear All Filters]
(2013). Aural-based detection and assessment of real versus artificially synchronized string quartet performance.
3rd International Conference on Music & Emotion. Abstract
(2004). Hierarchical organization and visualization of drum sample libraries.
7th International Conference on Digital Audio Effects (DAFx'04). Abstract
(2008). Computational Models of Similarity for Drum Samples .
IEEE Transactions on Audio, Speech, and Language Processing . 16(2), 408-423. Abstract
(2005). Semantic Segmentation Of Music Audio Contents.
International Computer Music Conference. Abstract
(2004). Computing Structural Descriptions of Music through the Identification of Representative Excerpts from Audio Files.
International Computer Music Conference (ICMC). Abstract
(2017). Effects of voice, instrumentation and production on the recognition of emotions communicated by pop-rock songs .
I Congreso Internacional de Psicología de la Música y la Interpretación Musical. Abstract
(2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms.
Sound and Music Computing Conference 2015. Abstract
(2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis.
International Symposium on Computer Music Multidisciplinary Research.
(2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2011). Music Perception with Current Signal Processing Strategies for Cochlear Implants.
Isabel 2011. Abstract
(2017). Exploring the spontaneous expression of human finger-tapping.
2nd Conference on Computer Simulation of Musical Creativity. Abstract
(2014). There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients.
The Neurosciences and Music V.
(2007). Audio music mood classification using support vector machine.
International Society for Music Information Research Conference (ISMIR). Abstract
(2009). Music Mood Representations from Social Tags.
International Society for Music Information Retrieval (ISMIR) Conference. 381-386. Abstract
(2007). A computational approach to classify music by emotion.
European Computing Conference. Abstract
(2008). Mood Cloud : A Real-Time Music Mood Visualization Tool.
CMMR, Computer Music Modeling and Retrieval. Abstract
(2010). Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator.
Multimedia Tools and Applications. 48(1), 161-184. Abstract
(2009). Music Mood Annotator Design and Integration.
7th International Workshop on Content-Based Multimedia Indexing. Abstract
(2009). Mood Cloud 2.0: Music Mood Browsing based on Social Networks.
International Society for Music Information Research Conference (ISMIR). Abstract
(2009). Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines.
(, Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
