Biblio

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Herrera, P. (1996).  Subliminals Sonors.
Faraldo, Á., Jordà S., & Herrera P. (2017).  A Study of Tonal Practises In Electronic Dance Music. Ninth European Music Analysis Conference . Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. (Kronland-Martinet R., Aramaki M., Ystad S., Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception. 11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
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Serrà, J., Gómez E., Herrera P., & Serra X. (2008).  Statistical analysis of chroma features in western music predicts human judgments of tonality. Journal of New Music Research. 37(4), 299-309. Abstract
Cano, P., Koppenberger M., Herrera P., Celma Ò., & Tarasov V. (2004).  Sound Effect Taxonomy Management in Production Environments. 25th AES International Conference. Metadata for Audio. Abstract
Gómez, E., & Herrera P. (2006).  The song remains the same identifying versions of the same piece using tonal descriptors. Abstract
Roma, G., Zanin M., Herrera P., Toral S. L., Font F., & Serra X. (2012).  Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127. Abstract
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Herrera, P. (1996).  Síntesi Musical Expressiva. Abstract
Herrera, P., Bello J. P., Widmer G., Sandler M., Celma Ò., Vignoli F., et al. (2005).  SIMAC Semantic interaction with music audio contents. 2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
Akkermans, V., Serrà J., & Herrera P. (2009).  Shape-based spectral contrast descriptor. Sound and Music Computing Conference. 143-148. Abstract
Herrera, P. (2002).  Setting Up an Audio Database for Music Information Retrieval Benchmarking. Abstract
Ong, B., & Herrera P. (2005).  Semantic Segmentation Of Music Audio Contents. International Computer Music Conference. Abstract
Sá Pinto, A., Davies M. E. P., & Herrera P. (2016).  Semantic Modelling for User Interaction with Sonic Content. 22nd Portuguese Conference on Pattern Recognition (RECPAD). 91-92.
application/pdf iconPinto-poster_Recpad_2016.pdf
Celma, Ò., Ramírez M., & Herrera P. (2004).  Semantic interaction with music content using FOAF. Proceedings of 1st Workshop on Friend of a Friend, Social Networking and the Semantic Web. Abstract
Bogdanov, D., Haro G. G., Fuhrmann F., Xambó A., Gómez E., & Herrera P. (2013).  Semantic audio content-based music recommendation and visualization based on user preference examples. Information Processing & Management. 49(1), 13-33. Abstract
application/pdf iconbogdanov-IPM2013.pdf
Celma, Ò., Cano P., & Herrera P. (2006).  Search Sounds An audio crawler focused on weblogs. 7th International Conference on Music Information Retrieval (ISMIR). Abstract
Fuhrmann, F., Haro G. G., & Herrera P. (2009).  Scalability, generality and temporal aspects in automatic recognition of predominant musical instruments in polyphonic music. Conference of the International Society for Music Information Retrieval (ISMIR). Abstract
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Koelsch, S., Skouras S., Fritz T., Herrera P., Bonhage C., Küssner M. B., et al. (2013).  The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage. 81(1), 49-60.
Holonowicz, P., Herrera P., & Purwins H. (2009).  The Role of Loudness in Detection of Surprising Events in Music Recordings. 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
Herrera, P., Resa Z., & Sordo M. (2010).  Rocking around the clock eight days a week: an exploration of temporal patterns of music listening. 1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
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Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Nuanáin, C. Ó., Herrera P., & Jordà S. (2017).  Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. Computer Music Journal. 41(2), 21-37.
Guaus, E., & Herrera P. (2005).  The Rhythm Transform: Towards A Generic Rhythm Description. International Computer Music Conference. 1311. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Rhythm Spaces. 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
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