Biblio

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2002
Vinet, H., Herrera P., & Pachet F. (2002).  The CUIDADO Project. 3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
application/pdf iconvinet-pachet-herrera-2002.pdf
2003
Amatriain, X., Bonada J., Loscos A., Arcos J. L., & Verfaille V. (2003).  Content-based Transformations. Journal of New Music Research. 32, Abstract
2005
Vinyes, M. (2005).  Auditory stream separation in commercial music productions implementation of a real-time method based on pan location. Abstract
Herrera, P., Bello J. P., Widmer G., Sandler M., Celma Ò., Vignoli F., et al. (2005).  SIMAC Semantic interaction with music audio contents. 2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
2006
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006).  Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract
Ramirez, R., Gómez E., Vicente V., Puiggròs M., Hazan A., & Maestre E. (2006).  Modeling Expressive Music Performance in Bassoon Audio Recordings. Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
application/pdf iconMVINYES_sinusoid_time_localization.pdf
2008
Vagia, O. (2008).  Singing Phoneme Class Detection In Polyphonic Music Recordings. Abstract
2009
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Vallverdu, J., Casacuberta, D., Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
application/pdf iconPre-print version
Camurri, A., Bevilacqua F., Bresin R., Maestre E., Penttinen H., Seppänen J., et al. (2009).  Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project. Gesture Workshop 2009..
Camurri, A., Volpe G., Vinet H., Bresin R., Maestre E., Llop J., et al. (2009).  User­-centric context­-aware mobile applications for embodied music listening. International ICST Conference on User Centric Media.
Villavicencio, F., Röbel A., & Rodet X. (2009).  Applying Improved Spectral Modeling for High Quality Voice Conversion . (Signal Processing Society, Ed.).ICASSP 2009. Abstract
2010
Vega, S. (2010).  Content-based Processing for Masking Minimization in Multi-track Recording. Abstract
Vinceslas, L. (2010).  Modeling of Gesture-Sound Relationships in Recorder Playing: A Study of Blowing Pressure. Abstract
Vega, S., & Janer J. (2010).  Quantifying Masking in Multi-track Recordings. Proceedings of SMC Conference 2010, Barcelona. Abstract
Coleman, G., & Villavicencio F. (2010).  Predicting Transformed Audio Descriptors: A System Design and Evaluation. Workshop on Machine Learning and Music (ACM Multimedia 2010). Abstract
application/pdf iconmml10.pdf
Villavicencio, F., & Bonada J. (2010).  Applying Voice Conversion To Concatenative Singing-Voice Synthesis. Interspeech. 2162-2165. Abstract
2011
Villa Betancourt, L. M. (2011).  Analyzing the effects of room acoustics in different music recordings. Abstract
application/pdf iconVilla-Betancourt-Lina-Maria-Master-thesis-2011.pdf
Van Balen, J. (2011).  Automatic Recognition of Samples in Musical Audio. Abstract
application/pdf iconVan-Balen-Jan-Master-thesis-2011.pdf
Vamvakousis, Z. (2011).  The EyeHarp: A Gaze-Controlled Musical Instrument. Abstract
application/pdf iconVamvakousis-Zacharias-Master-thesis-2011.pdf
Vamvakousis, Z., & Ramirez R. (2011).  THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT. 8th Sound and Music Computing Conference.
Mealla, S., Väljamäe A., & Jordà S. (2011).  Implicit Interaction in Collaborative Music Performances. FutureBNCI. 1.
application/pdf iconFutureBNCI-RAVE11-submission.pdf
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition. Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
application/pdf iconCHI2011_mealla.pdf
Pérez, A., Bonada J., Pätynen J., & Välimäki V. (2011).  Method for measuring violin sound radiation based on bowed glissandi and its application to sound synthesis. Journal of the Acoustical Society of America. 130(2), 1020-1029. Abstract
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