Biblio
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(2005).
(2015).
(2011).
Digital Musical Instruments for People with Physical Disabilities.
Department of Information and Communication Technologies. 163.
(2016).
Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition.
Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
(2011).
(2011).
(2011).
(2011).
(2012).
(2013).
(2010).
Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail.
International Journal of Multimedia Information Retrieval. 2(Hybrid Music Information Retrieval), 3-13. Abstract
(2013).
Content-based Transformations.
Journal of New Music Research. 32, Abstract
(2003).
The EyeHarp: A Gaze-Controlled Digital Musical Instrument.
Frontiers in Psychology . 7,
(2016).
An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016).
Method for measuring violin sound radiation based on bowed glissandi and its application to sound synthesis.
Journal of the Acoustical Society of America. 130(2), 1020-1029. Abstract
(2011).
Musical neurofeedback for treating depression in elderly people.
Frontiers in Neuroscience. 9(354),
(2015).
Nonnegative signal factorization with learnt instrument models for sound source separation in close-microphone recordings.
EURASIP Journal on Advances in Signal Processing. Abstract
(2013).
Online Score-Informed Source Separation with Adaptive Instrument Models.
Journal of New Music Research. Abstract
(2015).
Percussive/harmonic sound separation by non-negative matrix factorization with smoothness/sparseness constraints.
EURASIP Journal on Audio, Speech, and Music Processing 2014. Abstract
(2014).
Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction.
Transactions on Computer-Human Interaction (TOCHI). 23(1), Abstract
(2016).