Biblio

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Book
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Book Chapter
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Vallverdu, J., Casacuberta, D., Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
application/pdf iconPre-print version
Ramirez, R., Gómez E., Vicente V., Puiggròs M., Hazan A., & Maestre E. (2006).  Modeling Expressive Music Performance in Bassoon Audio Recordings. Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
Conference Paper
Garcia, F., Vinceslas L., & Maestre E. (2011).  Acquisition and study of blowing pressure profiles in recorder playing. NIME. Abstract
application/pdf iconnime2011-1.pdf
Villafuerte, L., Markova M. S., & Jordà S. (2012).  Acquisition of Social Abilities Through Musical Tangible User Interface: Children with Autism Spectrum Condition and the Reactable. CHI'12. 745-760. Abstract
application/pdf iconp745-villafuerte.pdf
Valero-Mas, J. J., Salamon J., & Gómez E. (2015).  Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming. Sound and Music Computing Conference.
application/pdf iconValero-Salamon-Gomez-SMC2015.pdf
Villavicencio, F., Röbel A., & Rodet X. (2009).  Applying Improved Spectral Modeling for High Quality Voice Conversion . (Signal Processing Society, Ed.).ICASSP 2009. Abstract
Villavicencio, F., Yamagishi J., Bonada J., & Espic F. (2016).  Applying Spectral Normalisation and Efficient Envelope Estimation and Statistical Transformation for the Voice Conversion Challenge 2016. Interspeech. 1657-61. Abstract
Villavicencio, F., & Bonada J. (2010).  Applying Voice Conversion To Concatenative Singing-Voice Synthesis. Interspeech. 2162-2165. Abstract
Carabias-Orti, J. J., Rodriguez-Serrano F. J., Vera-Candeas P., Ruiz-Reyes N., & Canadas-Quesada F. J. (2015).  An Audio to Score Alignment Framework using Spectral Factorization and Dynamic Time Warping. 16th International Society for Music Information Retrieval (ISMIR) Conference, 2015..
Van Balen, J., Haro G. G., & Serrà J. (2012).  Automatic Identification of Samples in Hip Hop Music. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
Vamvakousis, Z., & Ramirez R. (2012).  A Brain-Gaze Controlled Musical Interface. Berlin BCI Workshop 2012 - Advances in Neurotechnology.
application/pdf iconBrEyeHarpPoster.pdf
Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006).  Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2012).  Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail. 4th International Workshop on Advances in Music Information Research.
Vinet, H., Herrera P., & Pachet F. (2002).  The CUIDADO Project. 3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
application/pdf iconvinet-pachet-herrera-2002.pdf
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
Vamvakousis, Z., & Ramirez R. (2015).  EEG Signal classification in a Brain-Computer Music Interface. 8th International Workshop on Machine Learning and Music. 28-30.
Camurri, A., Bevilacqua F., Bresin R., Maestre E., Penttinen H., Seppänen J., et al. (2009).  Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project. Gesture Workshop 2009..
Vamvakousis, Z., & Ramirez R. (2011).  THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT. 8th Sound and Music Computing Conference.
Vamvakousis, Z., & Ramirez R. (2013).  A High-Throughput Auditory P300 Interface for Everyone. 12th European AAATE Conference. 478-482. Abstract
Weigl, D. M., Goebl W., Crawford T., Gkiokas A., Gutierrez N. F., Porter A., et al. (2019).  Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment. 6th International Conference on Digital Libraries for Musicology. Abstract
Vamvakousis, Z., & Ramirez R. (2015).  Is an auditory P300-based Brain-Computer Musical Interface feasible?. CMMR2015: International Workshop on BCMI.
application/pdf iconFull Paper
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Listening to Your Brain: Implicit Interaction in Collaborative Music Performances. The International Conference on New Interfaces for Musical Expression (NIME). Abstract
application/pdf iconlistening_to_your_brain_camera_ready.pdf
Vinceslas, L., Garcia F., Pérez A., & Maestre E. (2011).  Mapping Blowing Pressure and Sound Features in Recorder Playing. DAFX. 357-360. Abstract
application/pdf icon37_e.pdf
Villavicencio, F., Bonada J., & Hisaminato Y. (2015).  Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion. IEEE International Workshop on Machine Learning for Signal Processing. Abstract
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