Biblio
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Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines.
( , Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
(2009).
Modeling Expressive Music Performance in Bassoon Audio Recordings.
Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
(2006).
(2011).
(2012).
(2015).
Applying Improved Spectral Modeling for High Quality Voice Conversion .
( , Ed.).ICASSP 2009. Abstract
(2009).
(2016).
Applying Voice Conversion To Concatenative Singing-Voice Synthesis.
Interspeech. 2162-2165. Abstract
(2010).
An Audio to Score Alignment Framework using Spectral Factorization and Dynamic Time Warping.
16th International Society for Music Information Retrieval (ISMIR) Conference, 2015..
(2015).
Automatic Identification of Samples in Hip Hop Music.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2012).
A Brain-Gaze Controlled Musical Interface.
Berlin BCI Workshop 2012 - Advances in Neurotechnology.
(2012).
Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2006).
Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail.
4th International Workshop on Advances in Music Information Research.
(2012).
The CUIDADO Project.
3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
(2002).
EEG Signal classification in a Brain-Computer Music Interface.
8th International Workshop on Machine Learning and Music. 28-30.
(2015).
Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project.
Gesture Workshop 2009..
(2009).
THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT.
8th Sound and Music Computing Conference.
(2011).
A High-Throughput Auditory P300 Interface for Everyone.
12th European AAATE Conference. 478-482. Abstract
(2013).
Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment.
6th International Conference on Digital Libraries for Musicology. Abstract
(2019).
Is an auditory P300-based Brain-Computer Musical Interface feasible?.
CMMR2015: International Workshop on BCMI.
(2015).
Listening to Your Brain: Implicit Interaction in Collaborative Music Performances.
The International Conference on New Interfaces for Musical Expression (NIME). Abstract
(2011).
(2011).
Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion.
IEEE International Workshop on Machine Learning for Signal Processing. Abstract
(2015).