Biblio

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Vogl, R., Leimeister M., Nuanáin C. Ó., Jordà S., Hlatky M., & Knees P. (2016).  An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms. Journal of the Audio Engineering Society. 64(7/8), 503-513.
application/pdf icon18336.pdf
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
application/pdf iconMVINYES_sinusoid_time_localization.pdf
Vinyes, M. (2005).  Auditory stream separation in commercial music productions implementation of a real-time method based on pan location. Abstract
Vinet, H., Herrera P., & Pachet F. (2002).  The CUIDADO Project. 3rd International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
application/pdf iconvinet-pachet-herrera-2002.pdf
Vinceslas, L. (2010).  Modeling of Gesture-Sound Relationships in Recorder Playing: A Study of Blowing Pressure. Abstract
Vinceslas, L., Garcia F., Pérez A., & Maestre E. (2011).  Mapping Blowing Pressure and Sound Features in Recorder Playing. DAFX. 357-360. Abstract
application/pdf icon37_e.pdf
Villavicencio, F., Bonada J., & Hisaminato Y. (2015).  Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion. IEEE International Workshop on Machine Learning for Signal Processing. Abstract
Villavicencio, F., & Bonada J. (2010).  Applying Voice Conversion To Concatenative Singing-Voice Synthesis. Interspeech. 2162-2165. Abstract
Villavicencio, F., Bonada J., Yamagishi J., & Pucher M. (2015).  Efficient Pitch Estimation on Natural Opera-Singing by a Spectral Correlation based Strategy. SIG Technical Reports.
application/pdf iconEfficient_Pitch_Estimation_on_Natural_Op.pdf
Villavicencio, F., Yamagishi J., Bonada J., & Espic F. (2016).  Applying Spectral Normalisation and Efficient Envelope Estimation and Statistical Transformation for the Voice Conversion Challenge 2016. Interspeech. 1657-61. Abstract
Villavicencio, F., Röbel A., & Rodet X. (2009).  Applying Improved Spectral Modeling for High Quality Voice Conversion . (Signal Processing Society, Ed.).ICASSP 2009. Abstract
Villafuerte, L., Markova M. S., & Jordà S. (2012).  Acquisition of Social Abilities Through Musical Tangible User Interface: Children with Autism Spectrum Condition and the Reactable. CHI'12. 745-760. Abstract
application/pdf iconp745-villafuerte.pdf
Villa Betancourt, L. M. (2011).  Analyzing the effects of room acoustics in different music recordings. Abstract
application/pdf iconVilla-Betancourt-Lina-Maria-Master-thesis-2011.pdf
Vega, S., & Janer J. (2010).  Quantifying Masking in Multi-track Recordings. Proceedings of SMC Conference 2010, Barcelona. Abstract
Vega, S. (2010).  Content-based Processing for Masking Minimization in Multi-track Recording. Abstract
Vaquero, C. (2012).  Improving the description of instrumental sounds by using ontologies and automatic content analysis. Abstract
application/pdf iconCarlos-Vaquero-Master-Thesis-2012.pdf
Van Balen, J. (2011).  Automatic Recognition of Samples in Musical Audio. Abstract
application/pdf iconVan-Balen-Jan-Master-thesis-2011.pdf
Van Balen, J., Haro G. G., & Serrà J. (2012).  Automatic Identification of Samples in Hip Hop Music. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
Vamvakousis, Z., & Ramirez R. (2012).  Temporal Control In the EyeHarp Gaze-Controlled Musical Interface. New Interfaces for Musical Expression (NIME) 2012. Abstract
application/pdf iconTemporal Control In the EyeHarp Gaze-Controlled Musical Interface.pdf
Vamvakousis, Z., & Ramirez R. (2015).  EEG Signal classification in a Brain-Computer Music Interface. 8th International Workshop on Machine Learning and Music. 28-30.
Vamvakousis, Z., & Ramirez R. (2014).  P300 Harmonies: A Brain-Computer Musical Interface. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconP300 Harmonies: A Brain-Computer Musical Interface
Vamvakousis, Z. (2016).  Digital Musical Instruments for People with Physical Disabilities. Department of Information and Communication Technologies. 163.
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Vamvakousis, Z., & Ramirez R. (2011).  THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT. 8th Sound and Music Computing Conference.
Vamvakousis, Z., & Ramirez R. (2015).  Is an auditory P300-based Brain-Computer Musical Interface feasible?. CMMR2015: International Workshop on BCMI.
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