Biblio

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Vagia, O. (2008).  Singing Phoneme Class Detection In Polyphonic Music Recordings. Abstract
Vamvakousis, Z., & Ramírez R. (2012).  A Brain-Gaze Controlled Musical Interface. Berlin BCI Workshop 2012 - Advances in Neurotechnology.
application/pdf iconBrEyeHarpPoster.pdf
Vamvakousis, Z. (2011).  The EyeHarp: A Gaze-Controlled Musical Instrument. Abstract
application/pdf iconVamvakousis-Zacharias-Master-thesis-2011.pdf
Vamvakousis, Z., & Ramírez R. (2012).  Temporal Control In the EyeHarp Gaze-Controlled Musical Interface. New Interfaces for Musical Expression (NIME) 2012. Abstract
application/pdf iconTemporal Control In the EyeHarp Gaze-Controlled Musical Interface.pdf
Van Balen, J. (2011).  Automatic Recognition of Samples in Musical Audio. Abstract
application/pdf iconVan-Balen-Jan-Master-thesis-2011.pdf
Van Balen, J., Haro M., & Serrà J. (2012).  Automatic Identification of Samples in Hip Hop Music. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
Vaquero, C. (2012).  Improving the description of instrumental sounds by using ontologies and automatic content analysis. Abstract
application/pdf iconCarlos-Vaquero-Master-Thesis-2012.pdf
Vega, S., & Janer J. (2010).  Quantifying Masking in Multi-track Recordings. Proceedings of SMC Conference 2010, Barcelona. Abstract
Vega, S. (2010).  Content-based Processing for Masking Minimization in Multi-track Recording. Abstract
Villa Betancourt, L. M. (2011).  Analyzing the effects of room acoustics in different music recordings. Abstract
application/pdf iconVilla-Betancourt-Lina-Maria-Master-thesis-2011.pdf
Villafuerte, L., Markova M. S., & Jordà S. (2012).  Acquisition of Social Abilities Through Musical Tangible User Interface: Children with Autism Spectrum Condition and the Reactable. CHI'12. 745-760. Abstract
application/pdf iconp745-villafuerte.pdf
Villavicencio, F., & Bonada J. (2010).  Applying Voice Conversion To Concatenative Singing-Voice Synthesis. Interspeech. 2162-2165. Abstract
Villavicencio, F., Röbel A., & Rodet X. (2007).  All-Pole Spectral Envelope Modelling with Order Selection for Harmonic Signals . IEEE International Conference on Acoustics, Speech and Signal processing, 2007 (ICASSP'07). 1, I-49 I-52. Abstract
Villavicencio, F., Röbel A., & Rodet X. (2008).  Extending Efficient Spectral Envelope Modeling to Mel-Frequency Based Representation. IEEE 2008 International Conference on Acoustics, Speech, and Signal processing, 2008 (ICASSP'08). 1625 - 1628 . Abstract
Villavicencio, F., Röbel A., & Rodet X. (2009).  Applying Improved Spectral Modeling for High Quality Voice Conversion . (Signal Processing Society, Ed.).ICASSP 2009. Abstract
Villavicencio, F., Röbel A., & Rodet X. (2006).  Improving LPC Spectral Envelope Extraction of Voiced Speech by True-Envelope Estimation. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2006 (ICASSP'06). 1, Abstract
Vinceslas, L., Garcia F., Pérez A., & Maestre E. (2011).  Mapping Blowing Pressure and Sound Features in Recorder Playing. DAFX. 357-360. Abstract
application/pdf icon37_e.pdf
Vinceslas, L. (2010).  Modeling of Gesture-Sound Relationships in Recorder Playing: A Study of Blowing Pressure. Abstract
Vinet, H., Herrera P., & Pachet F. (2002).  The CUIDADO Project. Abstract
Vinyes, M. (2005).  Auditory stream separation in commercial music productions implementation of a real-time method based on pan location. Abstract
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
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