Biblio
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(2019). 20 Years of automatic chord recognition from audio.
International Society for Music Information Retrieval (ISMIR). Abstract
(2005). Acoustic Cues to Beat Induction A Machine Learning Perspective.
10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
(2006). Acoustic Cues to Beat Induction. A Machine Learning Perspective.
Music Percepcion. UCPress. 24, 177-188. Abstract
(2017). Acoustic scene classification by ensembling gradient boosting machine and convolutional neural networks.
Workshop on Detection and Classification of Acoustic Scenes and Events. Abstract
(2019). The AcousticBrainz Genre Dataset: Multi-Source, Multi-Level, Multi-Label, and Large-Scale.
20th International Society for Music Information Retrieval Conference (ISMIR 2019). Abstract
(2015). AcousticBrainz: a community platform for gathering music information obtained from audio.
16th International Society for Music Information Retrieval Conference (ISMIR 2015). 786-792. Abstract
(2010). Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre.
7th Sound and Music Computing Conference, 2010, Barcelona, Spain. Abstract
(2006). Algorithmic Prediction of Music Complexity Judgements.
9th International Conference on Music Perceptionand Cognition. Abstract
(2015). Algorithms and representations for supporting online music creation with large-scale audio databases.
Department of Information and Communication Technologies. 181. Abstract
(2014). An analysis and storage system for music research datasets.
1st International Digital Libraries for Musicology workshop. 1-3. Abstract
(2016). An analysis of agreement in classical music perception and its relationship to listener characteristics.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 578-583. Abstract
(2019). Analysis of spherical isotropic noise fields with an A-Format tetrahedral microphone..
The Journal of the Acoustical Society of America. EL329–EL334. Abstract
(2012). Analysis of the Folksonomy of Freesound.
2nd CompMusic Workshop. 48-54. Abstract
(2015). Analysis of the impact of a tag recommendation system in a real-world folksonomy.
ACM Transactions on Intelligent Systems and Technology. 7(1), 27. Abstract
(2000). Analysis/synthesis comparison.
Organized Sound. 5, pp 173-189. Abstract
(2017). An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets.
18th International Society for Music Information Retrieval Conference. Abstract
(2015). Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming.
Sound and Music Computing Conference.
(2007). Annotating Music Collections How content-based similarity helps to propagate labels.
8th International Conference on Music Information Retrieval. Abstract
(2009). Applying Improved Spectral Modeling for High Quality Voice Conversion .
(, Ed.).ICASSP 2009. Abstract
(2012). An Approach for Linking Score and Audio Recordings in Makam Music of Turkey.
2nd CompMusic Workshop. Abstract
(2019). Artist and Style Exposure Bias in Collaborative Filtering Based Music Recommendations.
Workshop on Designing Human-Centric MIR Systems.
(2017). Aspects of tempo and rhythmic elaboration in Hindustani music: A corpus study.
Frontiers in Digital Humanities: Digital Musicology. 4, 20. Abstract
(2009). Assessing the results of a cover song identification system with coverSSSSearch.
International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2011). Assessing the tuning of sung Indian classical music.
Int. Soc. for Music Information Retrieval Conf. (ISMIR). 263-268. Abstract
