Biblio

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Rubio, X. (2003).  Un sistema de control de fluxe per síntesi i processament d'àudio en temps real.
Román Echeverri, C. G. (2011).  Detection of genre-specific musical instruments: The case of the mellotron. Abstract
application/pdf iconRoman-Carlos-Master-thesis-2011.pdf
Roma, G., & Herrera P. (2010).  Community structure in audio clip sharing. International Conference on INTELLIGENT NETWORKING AND COLLABORATIVE SYSTEMS (INCoS 2010). Abstract
application/pdf iconPID1497503.pdf
Roma, G., Janer J., Kersten S., Schirosa M., & Herrera P. (2010).  Content-based retrieval from unstructured databases using an ecological acoustics taxonomy. International Community for the Auditory Display.
application/pdf iconmtg_ICAD2010.pdf
Roma, G., Xambó A., Herrera P., & Laney R. (2012).  Factors in human recognition of timbre lexicons generated by data clustering. Sound and Music Computing Conference (SMC2012). Abstract
application/pdf iconsmc2012_submission_199.pdf
Roma, G., & Xambó A. (2008).  A tabletop waveform editor for live performance. NIME08. Abstract
Roma, G., Janer J., Kersten S., Schirosa M., Herrera P., & Serra X. (2010).  Ecological acoustics perspective for content-based retrieval of environmental sounds. EURASIP Journal on Audio, Speech, and Music Processing. 2010, Abstract
application/pdf iconp7-roma.pdf
Roma, G. (2008).  Freesound Radio: supporting collective organization of sounds. Abstract
Roma, G., & Herrera P. (2010).  Graph grammar representation for collaborative sample-based music creation. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf icona17-roma.pdf
Roma, G., Zanin M., Herrera P., Toral S. L., Font F., & Serra X. (2012).  Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127. Abstract
application/pdf iconIJSNM010106 ROMA.pdf
Roma, G., Herrera P., & Serra X. (2009).  Freesound Radio: supporting music creation by exploration of a sound database. Computational Creativity Support Workshop CHI09. Abstract
Roig Garcia, C. (2011).  Vocal Riffs Model for Synthesis and Transformation. Abstract
application/pdf iconRoig-Carles-Master-thesis-2011.pdf
Rocamora, M., & Herrera P. (2007).  Comparing audio descriptors for singing voice detection in music audio files. 11º Simpósio Brasileiro de Computação Musical (SBCM07). Abstract
Robledo, E., Hinojosa R., & De Boer M. (2002).  A C++ Development platform for Real-time audio processing and synthesis applications. Abstract
Röbel, A., Villavicencio F., & Rodet X. (2007).  On Cepstral and All-Pole Based Spectral Envelope Modeling with Unknown Model Order. Pattern Recognition Letters. 28(11), 1343-1350. Abstract
Ricard, J., & Herrera P. (2004).  Morphological sound description computational model and usability evaluation. AES 116th Convention. Abstract
Ricard, J. (2004).  Towards computational morphological description of sound. Abstract
Ricard, J., & Herrera P. (2003).  Using morphological description for generic sound retrieval. International Conference on Music Information Retrieval. Abstract
Ricard, J., & Herrera P. (2003).  Towards computational morphological sound description. Musicnetwork Workshop - IRCAM Ressonances.
Resina, E., & Serra X. (1998).  Modelos estructurales para una educación musical superior. CODEXXI. 1,
Resina, E., & Serra X. (1999).  The Musicians' Software Mall A Set of Composition and Performance Oriented Applications for Sound Synthesis. International Computer Music Conference. Abstract
Resina, E. (1998).  SMS Composer and SMS Conductor: Applications for Spectral Modeling Synthesis Composition and Performance. International Conference on Digital Audio Effects. Abstract
Resa, Z. (2010).  Towards Time-aware Contextual Music Recommendation: An Exploration of Temporal Patterns of Music Listening Using Circular Statistics. Abstract
Ramírez, R., & Hazan A. (2004).  Rule induction for expressive music performance modeling. Abstract
Ramírez, R., Hazan A., & Maestre E. (2005).  Intra-note Features Prediction Model for Jazz Saxophone Performance. International Computer Music Conference. Abstract
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