Biblio
] Filters: First Letter Of Last Name is O [Clear All Filters]
(2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer.
(, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2005). Unendlichkeit - Konstruktion akustischer Paradoxien.
(, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2012). User-Aware Music Retrieval.
(, Ed.).Multimodal Music Processing. 3, 135-156.
(2019). 20 Years of automatic chord recognition from audio.
International Society for Music Information Retrieval (ISMIR). Abstract
(2019). The AcousticBrainz Genre Dataset: Multi-Source, Multi-Level, Multi-Label, and Large-Scale.
20th International Society for Music Information Retrieval Conference (ISMIR 2019). Abstract
(2012). Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets.
13th International Society for Music Information Retrieval Conference. 157-162. Abstract
(2014). Automatic Creation of Knowledge Graphs from Digital Musical Document Libraries.
Conference in Interdisciplinary Musicology. Abstract
(2012). Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings.
III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
(2006). Automatic Tonal Analysis from Music Summaries for Version Identification.
AES 121th Convention. Abstract
(2017). Bowing Modeling for Violin Students Assistance.
Proceedings of the 1st ACM SIGCHI International Workshop on Multimodal Interaction for Education. 60–62. Abstract
(2012). Characterization of Embellishments in Ney Performances of Makam Music in Turkey.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 13-18. Abstract
(2007). Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2006). Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2004). Computing Structural Descriptions of Music through the Identification of Representative Excerpts from Audio Files.
International Computer Music Conference (ICMC). Abstract
(2001). Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2005). Content-based Music Audio Recommendation.
ACM Multimedia. Abstract
(2012). Crossole: A Gestural Interface for Composition, Improvisation and Performance using Kinect.
(, Ed.).Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). 449-502. Abstract
(2017). A Deep Multimodal Approach for Cold-start Music Recommendation.
2nd Workshop on Deep Learning for Recommender Systems, at RecSys 2017. Abstract
(2014). Does Always the Phrygian Mode Elicit Responses of Negative Valence?.
4th International Workshop on Folk Music Analysis (FMA). Abstract
(2016). ELMD: An Automatically Generated Entity Linking Gold Standard Dataset in the Music Domain.
Language Resources and Evaluation Conference (LREC 2016). 3312-3317. Abstract
(2017). ELMDist: A vector space model with words and MusicBrainz entities.
Workshop on Semantic Deep Learning (SemDeep), collocated with ESWC 2017. Abstract
(2016). Exploring Customer Reviews for Music Genre Classification and Evolutionary Studies.
17th International Society for Music Information Retrieval Conference (ISMIR 2016). 150-156. Abstract
(2014). Extending Tagging Ontologies with Domain Specific Knowledge.
International Semantic Web Conference. 209-2012. Abstract
(2015). Extracting Relations from Unstructured Text Sources for Music Recommendation.
20th International Conference on Applications of Natural Language to Information Systems. Abstract
