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Correspondence analysis for visualizing interplay of pitch class, key, and composer. ( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454.(2004).
A Machine Learning Approach to Expressive Performance in Jazz Standards. ( , Ed.).Multimedia Data Mining and Knowledge Discovery.(2006).
Mining User-Generated Content for Music Information Retrieval. Mining of User Generated Content and Its Applications.(In Press).
Modeling Expressive Music Performance in Bassoon Audio Recordings. Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.(2006).
A Multilingual Web-based Educational System for Professional Musicians. ( , Ed.).Current Developments in Technology-Assisted Education, Proceedings of Fourth International Conference on Multimedia and Information and Communication Technologies in Education.(2006).
User-Aware Music Retrieval. ( , Ed.).Multimodal Music Processing. 3, 135-156.(2012).
Acquisition of violin instrumental gestures using a commercial EMF device. International Computer Music Conference.(2007).
Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations.(2011).
Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain.(2010).
Amadeus A Scalable HMM-based Audio Information Retrieval System. First International Symposium on Control, Communications and Signal Processing. 731-734.(2004).
Aproximación interdisciplinar al análisis melódico de los cantes a capella. I Congreso Interdisciplinar Investigación y Flamenco.(2009).
Assessing the tuning of sung Indian classical music. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 263-268.(2011).
Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop.(2007).
Audio Transformation Technologies Applied to Video Games. 41st AES Conference: Audio for Games.(2011).
Augmenting Sound Mosaicing with Descriptor-driven Transformation. Digital Audio Effects.(2010).
Aural-based detection and assessment of real versus artiﬁcially synchronized string quartet performance. 3rd International Conference on Music & Emotion.(2013).
Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention.(2005).
Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA).(2012).