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SMS3d: An application for the visualization of SMS data. International Conference on Digital Audio Effects.(1998).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42.(2009).
Acquisition of violin instrumental gestures using a commercial EMF device. International Computer Music Conference.(2007).
Statistical Modeling of Bowing Control applied to Violin Sound Synthesis. IEEE Transactions on Audio, Speech, and Language Processing .(2010).
Statistical Modeling of Violin Bowing Parameter Contours. International Computer Music Conference.(2009).
Gesture sampling for instrumental sound synthesis: violin bowing as a case study. International Computer Music Conference.(2010).
Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference.(2006).
Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments. Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013.(2013).
Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Department of Information and Communication Technologies.(2009).
An approach to predicting bowing control parameter contours in violin performance. Intelligent Data Analysis. 14(5), 587-599.(2010).
Modeling musical articulation gestures in singing voice performances. AES 121th Convention.(2006).
Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention.(2005).
A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011).(2011).
Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference.(2010).
An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278.(2010).
Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference.(2008).
Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain.(2010).
Short-term feature space and Music Genre Classiﬁcation. Journal of New Music Research. 40(2), 127-137.(2011).