Biblio

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Machado Rocha, B. M. (2011).  Genre Classification based on Predominant Melodic Pitch Contours. Abstract
application/pdf iconRocha-Bruno-Master-thesis-2011.pdf
Macias, B. (1999).  Visualización 3D de la modelización sinusoidal más residual del sonido. Abstract
Macias, B. (1998).  SMS3d: An application for the visualization of SMS data. International Conference on Digital Audio Effects. Abstract
Maestre, E., & Ramírez R. (2010).  An approach to predicting bowing control parameter contours in violin performance. Intelligent Data Analysis. 14(5), 587-599.
Maestre, E., Bonada J., & Mayor O. (2006).  Modeling musical articulation gestures in singing voice performances. AES 121th Convention. Abstract
Maestre, E. (2006).  Coding Instrumental Gestures. Towards a quantitative description of instrumental gestures in excitation-continuous musical instruments. Abstract
Maestre, E., & Gómez E. (2005).  Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention. Abstract
Maestre, E., Bonada J., Blaauw M., Pérez A., & Guaus E. (2007).  Acquisition of violin instrumental gestures using a commercial EMF device. International Computer Music Conference. Abstract
Maestre, E., Ramírez R., Kersten S., & Serra X. (2009).  Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42. Abstract
Maestre, E., Blaauw M., Bonada J., Guaus E., & Pérez A. (2010).  Statistical Modeling of Bowing Control applied to Violin Sound Synthesis. IEEE Transactions on Audio, Speech, and Language Processing .
Maestre, E. (2009).  Statistical Modeling of Violin Bowing Parameter Contours. International Computer Music Conference. Abstract
Maestre, E., Pérez A., & Ramírez R. (2010).  Gesture sampling for instrumental sound synthesis: violin bowing as a case study. International Computer Music Conference. Abstract
application/pdf iconicmc_maestre_perez_ramirez2010.pdf
Maestre, E., Hazan A., Ramírez R., & Pérez A. (2006).  Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference. Abstract
Maestre, E., Scavone G., & Smith J. (2013).  Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments. Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013. Abstract
application/pdf iconsmac_adm_2013_v3.pdf
Maestre, E. (2009).  Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Department of Information and Communication Technologies. Abstract
Marchini, M., & Purwins H. (2010).  An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
application/pdf iconMarchiniPurwinsCMMR2010Demo.pdf
Marchini, M. (2010).  Unsupervised Generation of Percussion Sequences from a Sound Example. Abstract
Marchini, M., Papiotis P., Maestre E., & Pérez A. (2011).  A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011). Abstract
Marchini, M., & Purwins H. (2010).  Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference. Abstract
application/pdf iconMarchiniPurwinsContinuationSMC2010Final.pdf
Marinescu, M., & Ramírez R. (2008).  Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference. Abstract
Marley, W. (2013).  Processing an Instrumental Gesture in the Reactable as a Method of Computer Improvisation. Abstract
application/pdf iconLiam-Marley-Master-Thesis-2013.pdf
Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F. (2010).  Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain. Abstract
application/pdf icon20.pdf
Marques, G., Langlois T., Gouyon F., Lopes M., & Sordo M. (2011).  Short-term feature space and Music Genre Classification. Journal of New Music Research. 40(2), 127-137. Abstract
Marti, F., Lopez D., & Resina E. (1998).  Vocem An Application for Real-Time Granular Synthesis. Abstract
Martín, D. (2009).  Automatic accompaniment for improvised music. Abstract
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