Biblio

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Martorell, A., Toiviainen P., & Gómez E. (2012).  Temporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments. International Conference on Music Perception and Cognition.
application/pdf iconTemporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments.pdf
Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
Martínez, E. (2008).  Issues on Retrieval of Sound Effects in Large Collaborative Databases.
Martinez, A. (2004).  Técnicas de procesado de lenguaje natural para gestión de contenidos de audio análisis de letras y etiquetado.
Martínez, E., Celma Ò., Sordo M., De Jong, B, & Serra X. (2009).  Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference. Abstract
Martín, D. (2009).  Automatic accompaniment for improvised music. Abstract
Marti, F., Lopez D., & Resina E. (1998).  Vocem An Application for Real-Time Granular Synthesis. Abstract
Marques, G., Langlois T., Gouyon F., Lopes M., & Sordo M. (2011).  Short-term feature space and Music Genre Classification. Journal of New Music Research. 40(2), 127-137. Abstract
Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F. (2010).  Additional Evidence That Common Low-level Features Of Individual Audio Frames Are Not Representative Of Music Genre. 7th Sound and Music Computing Conference, 2010, Barcelona, Spain. Abstract
application/pdf icon20.pdf
Marley, W. (2013).  Processing an Instrumental Gesture in the Reactable as a Method of Computer Improvisation. Abstract
application/pdf iconLiam-Marley-Master-Thesis-2013.pdf
Marinescu, M., & Ramírez R. (2008).  Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference. Abstract
Marchini, M., Papiotis P., Maestre E., & Pérez A. (2011).  A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011). Abstract
Marchini, M., & Purwins H. (2010).  Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference. Abstract
application/pdf iconMarchiniPurwinsContinuationSMC2010Final.pdf
Marchini, M., & Purwins H. (2010).  An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
application/pdf iconMarchiniPurwinsCMMR2010Demo.pdf
Marchini, M. (2010).  Unsupervised Generation of Percussion Sequences from a Sound Example. Abstract
Maestre, E., Blaauw M., Bonada J., Guaus E., & Pérez A. (2010).  Statistical Modeling of Bowing Control applied to Violin Sound Synthesis. IEEE Transactions on Audio, Speech, and Language Processing .
Maestre, E. (2009).  Statistical Modeling of Violin Bowing Parameter Contours. International Computer Music Conference. Abstract
Maestre, E., Hazan A., Ramírez R., & Pérez A. (2006).  Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference. Abstract
Maestre, E., Pérez A., & Ramírez R. (2010).  Gesture sampling for instrumental sound synthesis: violin bowing as a case study. International Computer Music Conference. Abstract
application/pdf iconicmc_maestre_perez_ramirez2010.pdf
Maestre, E., Scavone G., & Smith J. (2013).  Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments. Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013. Abstract
application/pdf iconsmac_adm_2013_v3.pdf
Maestre, E. (2009).  Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Department of Information and Communication Technologies. Abstract
Maestre, E., & Ramírez R. (2010).  An approach to predicting bowing control parameter contours in violin performance. Intelligent Data Analysis. 14(5), 587-599.
Maestre, E., Bonada J., & Mayor O. (2006).  Modeling musical articulation gestures in singing voice performances. AES 121th Convention. Abstract
Maestre, E., & Gómez E. (2005).  Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention. Abstract
Maestre, E. (2006).  Coding Instrumental Gestures. Towards a quantitative description of instrumental gestures in excitation-continuous musical instruments. Abstract
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