Biblio

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Report
Mealla, S., Väljamäe A., & Jordà S. (2011).  Implicit Interaction in Collaborative Music Performances. FutureBNCI. 1.
application/pdf iconFutureBNCI-RAVE11-submission.pdf
PhD Thesis
Nuanáin, C. Ó. (2018).  Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains. Department of Information and Communication Technologies. 257. Abstract
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Department of Information and Communication Technologies. Abstract
Gallardo, D. (2015).  Expanding tangible tabletop interfaces beyond the display. Information and Communication Technologies. 194. Abstract
Julià, C. F. (2015).  Making Tabletops Useful with Applications, Frameworks and Multi-Tasking. Department of Information and Communication Technologies. 210. Abstract
Gómez-Marín, D. (2018).  Similarity and Style in Electronic Dance Music Drum Rhythms. Department of Information and Communications Technologies. Abstract
Janer, J. (2008).  Singing-driven Interfaces for Sound Synthesizers. Department of Information and Communication Technologies. Abstract
Miron, M. (2018).  Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies. Department of Information and Communication Technologies. 299. Abstract
Faraldo, Á. (2018).  Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination. Department of Information and Communication Technologies. 234. Abstract
Miscellaneous
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition. Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
application/pdf iconCHI2011_mealla.pdf
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
Julià, C. F., & Gallardo D. (2007).  TDesktop: Disseny i implementació d'un sistema gràfic tangible.
application/pdf iconPFC_TDesktop.pdf
Master Thesis
Jones, M. K. (2019).  Acoustic Scene Classification using Convolutional Neural Networks on Multivariate Audio. Abstract
Janer, X. (2007).  A BIC-based approach to singer identification. Abstract
Jarjoura, J. (2017).  Fusion of musical contents, brain activity and short term physiological signals for music-emotion recognition. Abstract
Jewalikar, V. (2013).  Improving automatic phonetic segmentation for creating singing voice synthesizer corpora. Abstract
Jiménez-Sauma, J. (2018).  Real-Time Multi-Track Mixing For Live Performance. Abstract
Jade, C. (2016).  Rhythm alternation using interval sets. Abstract
Julià, C. F. (2008).  SongExplorer: Exploring Large Musical Databases Using a Tabletop Interface. Abstract
Janer, J. (2004).  Voice as a musical controller for real-time synthesis. Abstract
Journal Article
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2013).  Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail. International Journal of Multimedia Information Retrieval. 2(Hybrid Music Information Retrieval), 3-13. Abstract
Roma, G., Janer J., Kersten S., Schirosa M., Herrera P., & Serra X. (2010).  Ecological acoustics perspective for content-based retrieval of environmental sounds. EURASIP Journal on Audio, Speech, and Music Processing. 2010, 960863 . Abstract
application/pdf iconp7-roma.pdf
Jordà, S. (1999).  Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet. Leonardo Music Journal. 9, 5-12. Abstract
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39. Abstract
Jordà, S. (2002).  Improvising with Computers A Personal Survey (1989-2001). Journal of New Music Research. 31, pp 1-10. Abstract
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