Biblio
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Guía Monográfica del Audio Digital y el MIDI.
Anaya Multimedia. 336.
(1997).
Interactivity and Live Computer Music.
( , Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
(2007).
Models to produce and share music over the Internet. The M.O.D.E.M. model.
M.O.D.E.M. Music open distance exchange model.
(2007).
The reactable.
( , Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
(2007).
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
( , Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2016).
Tecnologies digitals and Creació musical en viu / El reactable.
Fora de l’Equilibri.
(2008).
Unsupervised Analysis and Generation of Audio Percussion Sequences.
( , Ed.).Exploring Music Contents. 6684, 205-218.
(2011).
Video analysis for evaluating music interaction: musical tabletop.
( , Ed.).Music and Human-Computer Interaction.
(2013).
(2012).
Architectural Overview of a System for Collaborative Music Composition over the Web.
International Computer Music Conference. 298-301. Abstract
(2001).
Audio Transformation Technologies Applied to Video Games.
41st AES Conference: Audio for Games. Abstract
(2011).
Audio-to-score alignment at the note level for orchestral recordings.
15th International Society for Music Information Retrieval Conference.
(2014).
Authoring augmented soundscapes with user-contributed content.
ISMAR Workshop on Authoring Solutions for Augmented Reality.
(2011).
(2019).
BeatJockey: A new tool for enhancing DJ skills.
New Interfaces for Musical Expression (NIME). 288-291. Abstract
(2011).
Becoming the Maestro - A Game to Enhance Curiosity for Classical Music.
2016 8th International Conference on Games and Virtual Worlds for Serious Applications (VS-GAMES). 1-4.
(2016).
Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation.
International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.
(2012).
Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail.
4th International Workshop on Advances in Music Information Research.
(2012).
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). 559-564. Abstract
(2012).
(2001).
Content-based retrieval from unstructured databases using an ecological acoustics taxonomy.
International Community for the Auditory Display.
(2010).
Development of a Sound Coding Strategy based on a Deep Recurrent Neural Network for Monaural Source Separation in Cochlear Implants.
12th ITG conference on Speech Communication. Abstract
(2016).
Development strategies for tangible interaction on horizontal surfaces.
Tangible Embedded and Embodied Interaction. Abstract
(2010).