Biblio

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Julià, C. F. (2008).  SongExplorer: Exploring Large Musical Databases Using a Tabletop Interface. Abstract
Julià, C. F., Jordà S., & Earnshaw N. (2013).  GestureAgents: An Agent-Based Framework for Concurrent Multi-Task Multi-User Interaction. TEI 2013. Abstract
application/pdf icon2013 TEI13 GestureAgents.pdf
Julià, C. F., Gallardo D., & Jordà S. (2011).  MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data. New Interfaces for Musical Expression. 457-460. Abstract
application/pdf icon2011 NIME MTCF.pdf
Julià, C. F., & Jordà S. (2009).  SongExplorer: a tabletop application for exploring large collections of songs. 10th International Society for Music Information Retrieval Conference. Abstract
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
Jordà, S., & Aguilar T. (1998).  FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. International Conference on Digital Audio Effects (DAFX). Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Jordà, S. (2001).  Improvising with Computers A Personal Survey (1989-2001). Abstract
Jordà, S. (2005).  Instruments and Players Some thoughts on digital lutherie. Journal of New Music Research. 33, Abstract
Jordà, S., & Wüst O. (2001).  FMOL A System for Collaborative Music Composition over the Web. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (1996).  EPIZOO cruelty and gratuitousness in real virtuality.
Jordà, S., Kaltenbrunner M., Geiger G., & Bencina R. (2005).  The reacTable*. Abstract
Jordà, S. (2007).  Models to produce and share music over the Internet. The M.O.D.E.M. model. M.O.D.E.M. Music open distance exchange model.
Jordà, S. (2003).  Sonigraphical Instruments From FMOL to the reacTable*. Abstract
Jordà, S., Geiger G., Alonso M., & Kaltenbrunner M. (2007).  The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces. Conference on tangible and embeded interaction. Abstract
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39.
Jordà, S., Hunter S., Pla P., Gallardo D., Leithinger D., Kaufman H., et al. (2010).  Development strategies for tangible interaction on horizontal surfaces. Tangible Embedded and Embodied Interaction. Abstract
Jordà, S. (1999).  Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet. Leonardo Music Journal. 9, 5-12. Abstract
Jordà, S. (2001).  New Musical Interfaces and New Music-making Paradigms. Abstract
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