Biblio

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Julià, C. F., Gallardo D., & Jordà S. (2011).  MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data. New Interfaces for Musical Expression. 457-460. Abstract
application/pdf icon2011 NIME MTCF.pdf
Julià, C. F., & Jordà S. (2009).  SongExplorer: a tabletop application for exploring large collections of songs. 10th International Society for Music Information Retrieval Conference. Abstract
Julià, C. F. (2008).  SongExplorer: Exploring Large Musical Databases Using a Tabletop Interface. Abstract
Julià, C. F., Jordà S., & Earnshaw N. (2013).  GestureAgents: An Agent-Based Framework for Concurrent Multi-Task Multi-User Interaction. TEI 2013. Abstract
application/pdf icon2013 TEI13 GestureAgents.pdf
Jordà, S., & Alonso M. (2006).  Mary had a little scoreTable* or the reacTable* goes melodic. New Interfaces for Musical Expression (NIME). Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Jordà, S. (2002).  Improvising with Computers A Personal Survey (1989-2001). Journal of New Music Research. 31, pp 1-10. Abstract
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Jordà, S. (1998).  La computadora-ahorra-técnicos... y algo más. Virtualia. México D.F..
Jordà, S. (2005).  Multi-user Instruments Models, Examples and Promises. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
Jordà, S., & Barbosa A. (2001).  Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF. Abstract
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Abstract
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
Jordà, S., & Aguilar T. (1998).  FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. International Conference on Digital Audio Effects (DAFX). Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Jordà, S. (2002).  Afasia the Ultimate Homeric One-man-multimedia-band. Abstract
Jordà, S. (2005).  Instruments and Players Some thoughts on digital lutherie. Journal of New Music Research. 33, Abstract
Jordà, S. (2001).  Improvising with Computers A Personal Survey (1989-2001). Abstract
Jordà, S., & Wüst O. (2001).  FMOL A System for Collaborative Music Composition over the Web. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
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