Biblio
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SongExplorer: a tabletop application for exploring large collections of songs.
10th International Society for Music Information Retrieval Conference. Abstract
(2009).
Making Tabletops Useful with Applications, Frameworks and Multi-Tasking.
Department of Information and Communication Technologies. 210. Abstract
(2015).
MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data.
New Interfaces for Musical Expression. 457-460. Abstract
(2011).
Towards Concurrent Multi-Tasking in Shareable Interfaces.
Journal of Computer Supported Collaborative Work. 25,
(2015).
(2013).
The Reactable : Tangible and Tabletop Music Performance.
CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
(2010).
Drumming with style: From user needs to a working prototype.
16th International Conference on New Interfaces for Musical Expression. 365-370.
(2016).
Tecnologies digitals and Creació musical en viu / El reactable.
Fora de l’Equilibri.
(2008).
Improvising with Computers A Personal Survey (1989-2001).
Journal of New Music Research. 31, pp 1-10. Abstract
(2002).
Mary had a little scoreTable* or the reacTable* goes melodic.
New Interfaces for Musical Expression (NIME). Abstract
(2006).
Interactivity and Live Computer Music.
( , Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
(2007).
La computadora-ahorra-técnicos... y algo más.
Virtualia. México D.F..
(1998).
Interactive surfaces and tangibles.
XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
(2010).
Internet. Cap a Noves Formes d'entendre la Creació Musical?.
Revista Musical Catalana. 1,
(1999).
(2001).
Digital Lutherie Crafting musical computers for new musics' performance and improvisation.
Department of Information and Communication Technologies. Abstract
(2005).
FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems.
International Conference on Digital Audio Effects (DAFX). Abstract
(1998).
Software, Arte, Sociedad .
Cyberart: Desafíos para la identidad ubicua.
(2004).
(2003).
The reactable.
( , Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
(2007).