Biblio

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Janer, J., Bonada J., & Jordà S. (2006).  Groovator - an implementation of real-time rhythm transformations. Abstract
Janer, J., Finney N., Roma G., Kersten S., & Serra X. (2009).  Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval. Journal of Virtual Worlds Research. 2(3),  Abstract
Janer, J., Roma G., & Kersten S. (2011).  Authoring augmented soundscapes with user-contributed content. ISMAR Workshop on Authoring Solutions for Augmented Reality.
application/pdf iconISMAR_auth_mtg.pdf
Janer, J., & Maestre E. (2007).  Phonetic-based mappings in voice-driven sound synthesis. International Conference on Signal Processing and Multimedia Applications. Abstract
Janer, X. (2007).  A BIC-based approach to singer identification. Abstract
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Janer, J., & Maestre E. (2008).  Mapping phonetic features for voice-driven sound synthesis. eBusiness and Telecommunication Networks. CCIS Series. Abstract
Janer, J., Bonada J., & Blaauw M. (2006).  Performance-driven control for sample-based singing voice synthesis. Abstract
Janer, J., Marxer R., & Arimoto K. (2012).  Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.
application/pdf iconIcassp_Janer_reviewed.pdf
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Janer, J. (2005).  Feature Extraction for Voice-driven Synthesis. Abstract
Janer, J. (2004).  Voice as a musical controller for real-time synthesis. Abstract
Janer, J., & Peñalba A. (2007).  Syllabling on instrument imitation case study and computational methods. Abstract
Janer, J., Geraerts R., van Toll W. G., & Bonada J. (2013).  Talking Soundscapes: Automatizing Voice Transformations For Crowd Simulation. AES 49th International Conference, Audio for Games..
application/pdf iconpaper49i_crowd-final.pdf
Janer, J., & Loscos A. (2005).  Morphing techniques for enhanced scat singing. Abstract
Janer, J., Haro M., Roma G., Fujishima T., & Kojima N. (2009).  Sound Object Classification for Symbolic Audio Mosaicing: A Proof-of-Concept. (Gouyon, F., Barbosa, A., Serra, X., Ed.).Sound and Music Computing Conference. 297-302. Abstract
Janer, J. (2005).  Voice-controlled plucked bass guitar through two synthesis techniques. Abstract
Janer, J. (2008).  Singing-driven Interfaces for Sound Synthesizers. Department of Information and Communication Technologies. Abstract
Jensenius, A., Camurri A., Castagné N., Maestre E., Malloch J., McGilvray D., et al. (2007).  The need of formats for streaming and storing music-related movement and gesture data. Abstract
Jensenius, A., Castagné N., Camurri A., Maestre E., Malloch J., & McGilvray D. (2007).  A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data. International Conference on Enactive Interfaces. Abstract
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39.
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
Jordà, S. (2001).  Improvising with Computers A Personal Survey (1989-2001). Abstract
Jordà, S., & Wüst O. (2001).  FMOL A System for Collaborative Music Composition over the Web. Abstract
Jordà, S. (2004).  Digital Instruments and Players Part I – Efficiency and Apprenticeship. Abstract
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