Biblio
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(2008). The 2007 MIREX Audio Mood Classification Task: Lessons Learned.
9th International Conference on Music Information Retrieval. Abstract
(2012). On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets.
The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
(2012). Selective sampling for beat tracking evaluation.
IEEE Transactions on Audio Speech and Language Processing. Abstract
(2009). The Role of Loudness in Detection of Surprising Events in Music Recordings.
7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
(2010). Detection of polyphonic music note onsets by application of the Bayesian Theory of Surprise.
ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition. Abstract
(2003). Some Projects and Reflections on Algorithmic Music..
Springer Verlag. Lecture Notes in Computer Science (LNCS) Series. 2771, Abstract
(2006). Automatic Classification of Pitched Musical Instrument Sounds.
(, Ed.).Signal Processing Methods for Music Transcription. Abstract
(2005). SIMAC Semantic interaction with music audio contents.
2nd European Workshop on the Integration of Knowledge, Semantic and Digital Media Technologies. Abstract
(2008). Investigació i educació en tecnologia musical a Catalunya.
2n Congrés Internacional de Música a Catalunya. Abstract
(1999). Audio Descriptors and Descriptor Schemes in the Context of MPEG-7.
International Computer Music Conference. Abstract
(2002). Automatic classification of drum sounds a comparison of feature selection methods and classification techniques.
International Conference on Music and Artificial Intelligence (ICMAI). Abstract
(1996). Subliminals Sonors.
(2003). Automatic Labeling of Unpitched Percussion Sounds.
AES 114th Convention. Abstract
(1999). A proposal for the description of audio in the context of MPEG-7.
European Workshop on Content-Based Multimedia Indexing. Abstract
(2010). Rocking around the clock eight days a week: an exploration of temporal patterns of music listening.
1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract

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