Biblio

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H
Haas, J. (2001).  SALTO - A Spectral Domain Saxophone Synthesizer. Abstract
Haki, B. (2018).  Drums and Bass Interlocking. Abstract
Hansen, K., & Alonso M. (2008).  More DJ techniques on the reactable. NIME08. Abstract
Hansen, K., Alonso M., & Dimitrov S. (2007).  Combining DJ Scratching, Tangible Interfaces And A Physics-Based Model Of Friction Sounds. Abstract
Harley, N. (2014).  Evaluation of set-class similarity measures for tonal analysis. Abstract
application/pdf iconNicholas-Harley-Master-Thesis-2014.pdf
Haro, G. G., Serrà J., Herrera P., & Corral A. (2012).  Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals. PLoS ONE. 7(3), e33993. Abstract
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  The Musical Avatar - A visualization of musical preferences by means of audio content description. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf iconavatar_AM2010.pdf
Haro, G. G. (2013).  Statistical Distribution of Common Audio Features. Department of Information and Communication Technologies. 203.
application/pdf iconPhD_MHaro.pdf
Haro, G. G. (2008).  Detecting and Describing Percussive Events in Polyphonic Music. Abstract
Haro, G. G., Serrà J., Corral A., & Herrera P. (2012).  Power-Law Distribution in Encoded MFCC Frames of Speech, Music, and Environmental Sound Signals. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 895-902.
application/pdf iconharo_etal_p895.pdf
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  User Evaluation Questionnaire for The Musical Avatar Project. Abstract
application/pdf iconAvatar_User_Evaluation.pdf
Haro, G. G., & Herrera P. (2009).  From Low-level to Song-level Percussion Descriptors of Polyphonic Music. 10th International Society for Music Information Retrieval Conference. Abstract
Harte, C., Sandler M., Abdallah S., & Gómez E. (2005).  Symbolic Representation Of Musical Chords A Proposed Syntax For Text Annotations. Abstract
Hazan, A., Marxer R., Brossier P., Purwins H., Herrera P., & Serra X. (2009).  What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143. Abstract
Hazan, A. (2010).  Musical Expectation Modelling from Audio: a causal mid-level approach to predictive representation and learning of spectro-temporal events.. Departament de Tecnologies de la Informació i les Comunicacions. 119. Abstract
application/pdf iconThesis document
Hazan, A., Brossier P., Holonowicz P., Herrera P., & Purwins H. (2007).  Expectation Along The Beat A Use Case For Music Expectation Models. International Computer Music Conference. Abstract
Hazan, A., & Ramirez R. (2006).  Modelling expressive performance using consistent evolutionary regression trees. Abstract
Hazan, A. (2006).  Computational Modeling of Expressive Music Performance New Machine Learning Approaches for Dealing With Real-World Data. Abstract
Hazan, A., Holonowicz P., Salselas I., Herrera P., Purwins H., Knast A., et al. (2008).  Poster - Modeling the Acquisition of Statistical Regularities in Tone Sequences. CogSci 2008.
Hazan, A. (2005).  Towards automatic transcription of expressive oral percussive performances. Abstract
Hazan, A., Brossier P., Marxer R., & Purwins P. (2009).  What/when causal expectation modelling applied to percussive audio. The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800. Abstract
Hazan, A., Grachten M., & Ramirez R. (2006).  Evolving performance models by performance similarity beyond note-to-note transformations. Abstract
Hazan, A., Ramirez R., Maestre E., Pérez A., & Pertusa A. (2006).  Modelling Expressive Performance A Regression Tree Approach Based on Strongly Typed Genetic Programming. European Workshop on Evolutionary Music and Art. Abstract
Hazan, A. (2005).  Performing expressive rhythms with billaboop voice-driven drum generator. Abstract
Hazan, A. (2005).  Billaboop real-time voice-driven drum generator. 118th Audio Engineering Society Convention. Abstract
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