Biblio
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The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement.
Workshop-Symposium on Research Methods in Music and Emotion. Abstract
(2019).
Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music.
( , Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract
(2011).
(2006).
(2011).
Audio content processing for automatic music genre classification: descriptors, databases, and classifiers.
Department of Information and Communication Technologies. Abstract
(2009).
Automatic Assessment of Singing Voice Pronunciation: A Case Study with Jingju Music.
Department of Information and Communications Technologies. xxxii + 235. Abstract
(2018).
Comparative evaluation and combination of automatic rhythm description systems.
Department of Information and Communication Technologies. Abstract
(2013).
A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing.
Department of Information and Communication Technologies. Abstract
(2005).
Computational Approaches for Melodic Description in Indian Art Music Corpora.
Department of Information and Communication Technologies. 305. Abstract
(2016).
Computational Modelling of Expressive Music Performance in Jazz Guitar: A Machine Learning Approach.
Department of Information and Communication Technologies. 158.
(2016).
Expanding tangible tabletop interfaces beyond the display.
Information and Communication Technologies. 194. Abstract
(2015).
Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning.
Department of Information and Communication Technologies. Abstract
(2006).
From Heuristics-Based to Data-Driven Audio Melody Extraction.
Department of Information and Communication Technologies. Abstract
(2017).
Melody Extraction from Polyphonic Music Signals.
Department of Information and Communication Technologies. Abstract
(2013).
MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR.
Information and Communication Technologies. 241+xiii. Abstract
(2018).
Musical Interaction Based on the Conductor Metaphor.
Department of Information and Communication Technologies. Abstract
(2017).
Similarity and Style in Electronic Dance Music Drum Rhythms.
Department of Information and Communications Technologies. Abstract
(2018).
Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies.
Department of Information and Communication Technologies. 299. Abstract
(2018).
Tonal Description of Music Audio Signals.
Department of Information and Communication Technologies. Abstract
(2006).