Biblio

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Giraldo, S., & Ramirez R. (2015).  Performance to Score Sequence Matching for Automatic Ornament Detection in Jazz Music. International Conference on New Music Concepts. Abstract
application/pdf iconICNMC 2015 Giraldo
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Garcia, D., & Amatriain X. (2001).  XML as a means of control for audio processing, synthesis and analysis. Abstract
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Urbano, J., Bogdanov D., Herrera P., Gómez E., & Serra X. (2014).  What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?. 15th International Society for Music Information Retrieval Conference. 573-578. Abstract
application/pdf icon025-what-effect-audio-quality-robustness-mfcc-chroma-features.pdf
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Guerra, E. (1998).  VowSynth A Synthesizer of Vowel Sounds Based on Additive Synthesis. International Conference on Digital Audio Effects (DAFX). Abstract
Chandna, P., Blaauw M., Bonada J., & Gomez E. (2019).  A Vocoder Based Method For Singing Voice Extraction. 44th International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2019). Abstract
Guaus, E., & Batlle E. (2003).  Visualization of metre and other rhythm features. International Symposium on Signal Processing and Information Technology. Abstract
Zinemanas, P., Arias P., Haro G. G., & Gómez E. (2017).  Visual music transcription of clarinet video recordings trained with audio-based labelled data. ICCV 2017 Workshop on Computer Vision for Audio-Visual Media (CVAVM). Abstract
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Zapata, J. R., & Gómez E. (2013).  Using Voice Suppression Algorithms to improve Beat Tracking in the Presence Of Highly Predominant Volcals. International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2013). Abstract
application/pdf iconZapata_Beat_tracking_Voice_Supression_ICASSP2013.pdf
Gallardo, D., Julià C. F., & Jordà S. (2013).  Using MTCF for live prototyping on tablet and tangible tabletop devices. TEI.
application/pdf icon2013 TEI13 MTCF Studio.pdf
Molina-Solana, M., Arcos J. L., & Gómez E. (2008).  Using Expressive Trends For Identifying Violin Performers. International Conference on Music Information Retrieval. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Schedl, M., Stober S., Gómez E., Orio N., & Liem C. C. S. (2012).  User-Aware Music Retrieval. (Müller, M., Goto, M., Markus Schedl, Ed.).Multimodal Music Processing. 3, 135-156.
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  User Evaluation Questionnaire for The Musical Avatar Project. Abstract
application/pdf iconAvatar_User_Evaluation.pdf
Ramirez, R., Hazan A., Gómez E., & Maestre E. (2004).  Understanding expressive transformations in saxophone jazz performances using inductive machine learning. Sound and Music Computing Conference. Abstract
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Gulati, S., Salamon J., & Serra X. (2012).  A Two-stage Approach for Tonic Identification in Indian Art Music. 2nd CompMusic Workshop. Abstract
Martorell, A., & Gómez E. (2011).  Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time. 3rd International Conference on Mathematics and Computation in Music (MCM 2011). Abstract
application/pdf iconmcm2011-2.pdf
Knees, P., Faraldo Á., Herrera P., Vogl R., Böck S., Hörschläger F., et al. (2015).  Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections. 16th International Society for Music Information Retrieval (ISMIR) Conference. 364-370. Abstract
application/pdf icon246_Paper.pdf
Gallardo, D., Julià C. F., & Jordà S. (2009).  Turtan: Un lenguaje de programación tangible. (AIPO, Ed.).Interacción 2009. Abstract
application/pdf iconTurTanCut.pdf
Gallardo, D., Julià C. F., & Jordà S. (2008).  TurTan: a Tangible Programming Language for Creative Exploration. Third annual IEEE international workshop on horizontal human-computer systems (TABLETOP). Abstract
Serrà, J., Gómez E., & Herrera P. (2008).  Transposing Chroma Representations to a Common Key. IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48. Abstract
Pikrakis, A., Gómez F., Oramas S., Díaz-Báñez J. M., Mora J., Escobar Borrego F., et al. (2012).  Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconPattern-Flamenco-ISMIR2012.pdf
Rauschenberger, M., Rello L., Baeza-Yates R., Gomez E., & Bigham J. P. (2017).  Towards the Prediction of Dyslexia by a Web-based Game with Musical Elements. The 14th International Web for All Conference . 4-7. Abstract
application/pdf icon2-accessible.pdf
Gouyon, F., & Meudic B. (2003).  Towards Rhythmic Content Processing of Musical Signals Fostering Complementary Approaches. Journal of New Music Research. 32, Abstract
Gómez, E., & Bonada J. (2013).  Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms As Applied to A Cappella Singing. Computer Music Journal. 37(2), 73-90.
Dixon, S., Gouyon F., & Widmer G. (2004).  Towards Characterisation of Music via Rhythmic Patterns. Abstract
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