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VowSynth A Synthesizer of Vowel Sounds Based on Additive Synthesis. International Conference on Digital Audio Effects (DAFX).(1998).
Observed Differences in Rhythm between Performances of Classical and Jazz Violin Students. Stockholm Music Acoustics Conference 2013 and Sound and Music Computing Conference 2013.(2013).
The Rhythm Transform: Towards A Generic Rhythm Description. International Computer Music Conference. 1311.(2005).
Storage and Retrieval of relevant information from music master classes. 36th conference of the International Association of Sound and Audiovisual Archives (IASA).(2005).
A basic system for music genre classification. International Conference on Music Information Retrieval.(2007).
A non-linear rhythm-based style classifcation for Broadcast Speech-Music Discrimination. 116th AES Convention.(2004).
Calibration method to measure accurate bow force for real violin performances . ( , Ed.).International Computer Music Conference. 251-254.(2009).
Towards better automatic genre classifiers by means of understanding human decisions on genre discrimination. International Conference on Music Perception and Cognition. 326-327.(2006).
Measuring the bow pressing force in a real violin performance. International Symposium on Musical Acoustics.(2007).
Music Genre Categorization in Humans and Machines. 121th AES Convention.(2006).
Visualization of metre and other rhythm features. International Symposium on Signal Processing and Information Technology.(2003).
Audio content processing for automatic music genre classification: descriptors, databases, and classifiers. Department of Information and Communication Technologies.(2009).
Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138.(2009).
Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop.(2007).
Acoustic Cues to Beat Induction. A Machine Learning Perspective. Music Percepcion. UCPress. 24, 177-188.(2006).
Acoustic Cues to Beat Induction A Machine Learning Perspective. 10th Rhythm Perception and Production Workshop. 24(2), 177-188.(2005).