Biblio

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2005
Cano, P., Batlle E., Gómez E., Gomes L., & Bonnet M. (2005).  Audio Fingerprinting Concepts and Applications.. 233-245. Abstract
Amatriain, X., Massaguer J., Garcia D., & Mosquera I. (2005).  The CLAM Annotator A Cross-platform Audio Descriptors Editing Tool. Abstract
Gouyon, F., & Dixon S. (2005).  Influence of input features in perceptual tempo induction. Abstract
Gómez, E. (2005).  Key estimation from polyphonic audio. Abstract
Herrera, P., Celma Ò., Massaguer J., Cano P., Gómez E., Gouyon F., et al. (2005).  Mucosa a music content semantic annotator. Abstract
G. Mahedero, J., Cano P., Martinez A., Gouyon F., & Koppenberger M. (2005).  Natural language processing of lyrics. Abstract
Barbosa, A., Cardoso J., & Geiger G. (2005).  Network Latency Adaptive Tempo in the Public Sound Objects System. Abstract
Jordà, S., Kaltenbrunner M., Geiger G., & Bencina R. (2005).  The reacTable*. Abstract
Gouyon, F., & Dixon S. (2005).  A review of automatic rhythm description systems. Computer Music Journal. 29, Abstract
Harte, C., Sandler M., Abdallah S., & Gómez E. (2005).  Symbolic Representation Of Musical Chords A Proposed Syntax For Text Annotations. Abstract
Gómez, E., & Bonada J. (2005).  Tonality visualization of polyphonic audio. Abstract
2004
Batlle, E., Masip J., Guaus E., & Cano P. (2004).  Scalability issues in HMM-based Audio Fingerprinting. International Conference on Multimedia and Expo. 1, 735-738. Abstract
Batlle, E., Masip J., & Guaus E. (2004).  Amadeus A Scalable HMM-based Audio Information Retrieval System. First International Symposium on Control, Communications and Signal Processing. 731-734. Abstract
G. Mahedero, J., Tarasov V., Batlle E., Guaus E., & Masip J. (2004).  Industrial audio fingerprinting distributed system with CORBA and Web Services. 5th International Conference on Music Information Retrieval. 337-340. Abstract
Guaus, E., & Batlle E. (2004).  A non-linear rhythm-based style classifcation for Broadcast Speech-Music Discrimination. 116th AES Convention. Abstract
Gómez, E., & Herrera P. (2004).  Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. AES. Abstract
Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Ramírez, R., Hazan A., Gómez E., & Maestre E. (2004).  A machine learning approach to expressive performance in jazz standards. ACM SIGKDD International Conference on Knowledge Discovery & Data Mining. Abstract
Celma, Ò., Gómez E., Janer J., Gouyon F., Herrera P., & Garcia D. (2004).  Tools for Content-Based Retrieval and Transformation of Audio Using MPEG-7 The SPOffline and the MDTools. 25th AES International Conference. Metadata for Audio. Abstract
Ramírez, R., Hazan A., Gómez E., & Maestre E. (2004).  Understanding expressive transformations in saxophone jazz performances using inductive machine learning. Sound and Music Computing Conference. Abstract
Gouyon, F., & Dixon S. (2004).  Dance music classification A tempo-based approach. Abstract
Kaltenbrunner, M., Geiger G., & Jordà S. (2004).  Dynamic Patches for Live Musical Performance. Abstract
Gómez, E., & Herrera P. (2004).  Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies. Abstract
Gouyon, F., Dixon S., Pampalk E., & Widmer G. (2004).  Evaluating rhythmic descriptors for musical genre classification. Abstract
Amatriain, X., & Griffiths D. (2004).  Free Software in Education Is it a Viable Alternative?. Abstract
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