Biblio

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Gómez, E., Ong B., & Herrera P. (2006).  Automatic Tonal Analysis from Music Summaries for Version Identification. AES 121th Convention. Abstract
Gómez, E., Herrera P., & Gómez-Martín F. (2013).  Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.
Gómez, E., Peterschmitt G., Amatriain X., & Herrera P. (2003).  Content-based melodic transformations of audio for a music processing application. Abstract
Gómez, E. (2002).  Melodic Description of Audio Signals for Music Content Processing. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Gómez, E. (2000).  Tatouage de Signaux de Musique (Méthodes de synchronisation).
Gómez, E., Guastavino C., Gómez F., & Bonada J. (2012).  Analyzing Melodic Similarity Judgements in Flamenco a Cappella Singing. International Conference on Music Perception and Cognition.
application/pdf iconICMPC-2012-flamenco.pdf
Gómez, E., Cano P., Gomes L., Batlle E., & Bonnet M. (2002).  Mixed Watermarking-Fingerprinting Approach for Integrity Verification of Audio Recordings. Abstract
Gómez, E., & Herrera P. (2004).  Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. AES. Abstract
Gómez, V. (2002).  Estudi de diferents algorismes d'entrenament de xarxes neuronals de funció de base radial.
Gómez, F., Pikrakis A., Mora J., Díaz-Báñez J. M., & Gómez E. (2011).  Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
application/pdf iconMML-paper-2011.pdf
Gomes, L., Gómez E., & Moreau N. (2001).  Resynchronization methods for audio watermarking. Abstract
Gomes, L., Gómez E., Bonnet M., & Moreau N. (2001).  Méthodes de resynchronisation pour le tatouage audio. Abstract
Gomes, L., Cano P., Gómez E., Bonnet M., & Batlle E. (2003).  Audio Watermarking and Fingerprinting For Which Applications?. Journal of New Music Research. 32, Abstract
Giraldo, S., & Ramirez R. (2015).  Performance to Score Sequence Matching for Automatic Ornament Detection in Jazz Music. International Conference on New Music Concepts. Abstract
application/pdf iconICNMC 2015 Giraldo
Giraldo, S., & Ramirez R. (2012).  Modeling Embellishment, Timing and Energy Expressive Transformations in Jazz Guitar. 5th Internationa Workshop on Machine Learning and Music, Edinburgh, Scotland, UK, 2012. Copyright 2012 by the author(s)/owners..
application/pdf iconMML12_Giraldo_Ramirez.pdf
Giraldo, S., & Ramirez R. (2015).  Computational Modelling of Ornamentation in Jazz Guitar Music. International Symposium in Performance Science. 150-151.
application/pdf iconISPS 2015
Giraldo, S., & Ramirez R. (2013).  BRAIN-ACTIVITY-DRIVEN REAL-TIME MUSIC EMOTIVE CONTROL. 3rd International Conference on Music & Emotion (ICME3).
application/pdf iconSergio Giraldo - Brain-Activity-Driven Real-Time Music Emotive Control.pdf
Giraldo, S. (2016).  Computational Modelling of Expressive Music Performance in Jazz Guitar: A Machine Learning Approach. Department of Information and Communication Technologies. 158.
application/pdf iconSergio Giraldo PHD thesis 2016
Giraldo, S., & Ramirez R. (2016).  A Machine learning approach to discover rules for expressive performance actions in jazz guitar music. Frontiers in Psycology. 7, 1965. Abstract
Giraldo, S., & Ramirez R. (2013).  Real Time Modeling of Emotions by Linear Regression. MML 2013: Internatinal Workshop on Machine Learning and Music, ECML/PKDD .
application/pdf iconGiraldo_mml13proceedings.pdf
Giraldo, S. (2012).  Modeling Embellishment, Duration and Energy Expressive Transformations in Jazz Guitar. Abstract
application/pdf iconSergio_Giraldo_Master_Thesis_2012.pdf
Giraldo, S., & Ramirez R. (2014).  Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorithms. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconSergio_SMC_3.pdf
Giotis, P. (2009).  Instrument Timbre Transformation using Gaussian Mixture Models. Abstract
Giné, E. (2013).  A methodology for audio ingestion, restoration and analysis in the sound archiving field. Abstract
application/pdf iconEnric-Gine-Master-Thesis-2013.pdf
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