Biblio
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(2008). Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining.
4th Conference on Interdisciplinary Musicology (CIM08).
(2011). Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music.
(, Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract
(2019). The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement.
Workshop-Symposium on Research Methods in Music and Emotion. Abstract
(2015). Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception.
11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
(2017). Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2015). Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
(2018). Similarity and Style in Electronic Dance Music Drum Rhythms.
Department of Information and Communications Technologies. Abstract
(2015). PAD and SAD: Two awareness-weighted rhythmic similarity distances.
16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2016). Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
(, Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2016). Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2014). Flamenco music and its computational study.
BRIDGES: Mathematical Connections in Art, Music, and Science.
(2017). Audio to Score Matching by Combining Phonetic and Duration Information.
The 18th International Society for Music Information Retrieval Conference. Abstract
(2018). Automatic Assessment of Singing Voice Pronunciation: A Case Study with Jingju Music.
Department of Information and Communications Technologies. xxxii + 235. Abstract
(2017). Creating an A Cappella Singing Audio Dataset for Automatic Jingju Singing Evaluation Research.
4th International Digital Libraries for Musicology workshop (DLfM 2017). Abstract
(2017). Score-Informed Syllable Segmentation for Jingju a Cappella Singing Voice with Mel-Frequency Intensity Profiles.
International Workshop on Folk Music Analysis. 107-113. Abstract
(2016). Pitch Contour Segmentation for Computer-aided Jingju Singing Training.
13th Sound and Music Computing Conference (SMC 2016). 172-178. Abstract
(2018). Singing voice phoneme segmentation by hierarchically inferring syllable and phoneme onset positions.
Interspeech 2018. Abstract
(2017). Identification of potential Music Information Retrieval technologies for computer-aided jingju singing training.
The 5th China Conference on Sound and Music Technology - Chinese Traditional Music Technology Session. Abstract
