Biblio

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Font, F., & Serra X. (2016).  Tempo Estimation for Music Loops and a Simple Confidence Measure. 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 269-275. Abstract
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
Font, F. (2015).  Tag Recommendation using Folksonomy Information for Online Sound Sharing Platforms. Department of Information and Communication Technologies. 184. Abstract
Font, F., Serrà J., & Serra X. (2014).  Class-based tag recommendation and user-based evaluation in online audio clip sharing. Knowledge-Based Systems. 67, 131-142. Abstract
Font, F., & Serra X. (2012).  Analysis of the Folksonomy of Freesound. 2nd CompMusic Workshop. 48-54. Abstract
Font, F., & Bandiera G. (2017).  Freesound Explorer: Make Music While Discovering Freesound!. Web Audio Conference (WAC 2017). Abstract
Font, F., Serrà J., & Serra X. (2012).  Folksonomy-based tag recommendation for online audio clip sharing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 73-78. Abstract
Font, F., Brookes T., Fazekas G., Guerber M., La Burthe A., Plans D., et al. (2016).  Audio Commons: bringing Creative Commons audio content to the creative industries. 61st AES Conference on Audio for Games. Abstract
Font, F., Oramas S., Fazekas G., & Serra X. (2014).  Extending Tagging Ontologies with Domain Specific Knowledge. International Semantic Web Conference. 209-2012. Abstract
application/pdf iconFull text
Font, F. (2010).  Design and Evaluation of a Visualization Interface for Querying Large Unstructured Sound Databases. Abstract
Font, F., Roma G., & Serra X. (2013).  Freesound Technical Demo. ACM International Conference on Multimedia (MM'13). 411-412. Abstract
application/pdf iconFont-Roma-Serra-ACMM-2013.pdf
Font, F., Roma G., & Serra X. (2017).  Sound Sharing and Retrieval. Computational Analysis of Sound Scenes and Events. Abstract
Font, F., Roma G., Herrera P., & Serra X. (2012).  Characterization of the Freesound Online Community. Third International Workshop on Cognitive Information Processing. 279-284. Abstract
Font, F., Serrà J., & Serra X. (2015).  Analysis of the impact of a tag recommendation system in a real-world folksonomy. ACM Transactions on Intelligent Systems and Technology. 7(1), 27. Abstract
Font, F., Serrà J., & Serra X. (2014).  Audio clip classification using social tags and the effect of tag expansion. AES 53rd International Conference on Semantic Audio. 157-165. Abstract
application/pdf iconsoundclassification_aes.pdf
Forteza, M. (2013).  An EEG-based Emotion-driven Music Control System. Abstract
application/pdf iconMacia-Forteza-Master-Thesis-2013.pdf
Freixes, M. (2012).  Rapaloid: Adapting an Existing Framework for Emotional Speech Prosody Generation. Abstract
Friedman, J. (2012).  Teaching Rhythm In Childhood Music Education Through Gesture Controlled Loop Generation. Abstract
Fuhrmann, F. (2012).  Automatic musical instrument recognition from polyphonic music audio signals. Abstract
Fuhrmann, F., Haro G. G., & Herrera P. (2009).  Scalability, generality and temporal aspects in automatic recognition of predominant musical instruments in polyphonic music. Conference of the International Society for Music Information Retrieval (ISMIR). Abstract
Fuhrmann, F., & Herrera P. (2011).  Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music. International Society for Music Information Retrieval Conference (ISMIR). Abstract
application/pdf iconismir11_ffuhrmann_sup.pdf
application/pdf iconismir11_ffuhrmann.pdf
Fuhrmann, F., & Herrera P. (2010).  Polyphonic Instrument Recognition for exploring semantic Similarities in Music. International Conference on Digital Audio Effects (DAFx). Abstract
application/pdf iconffuhrmann_dafx10_final.pdf
Fuhrmann, F., Herrera P., & Serra X. (2009).  Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors. Journal of New Music Research. 38(4), 343 - 356. Abstract
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