Biblio

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Book
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Book Chapter
Herrera, P., Klapuri A., & Davy M. (2006).  Automatic Classification of Pitched Musical Instrument Sounds. (Anssi Klapuri, Davy, M., Ed.).Signal Processing Methods for Music Transcription. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Serra, X. (1997).  Musical Sound Modeling with Sinusoids plus Noise. (Roads, C., Pope, S., Picialli, A., De Poli, G., Ed.).Musical Signal Processing. 91-122. Abstract
application/pdf iconpostprint
Xambó, A., Laney R., Dobbyn C., & Jordà S. (2013).  Video analysis for evaluating music interaction: musical tabletop. (Holland, S., Ed.).Music and Human-Computer Interaction.
Conference Paper
Gómez-Martín, F., Díaz-Báñez J. M., Gómez E., & Mora J. (2014).   Flamenco music and its computational study. BRIDGES: Mathematical Connections in Art, Music, and Science.
application/pdf iconCOFLA-Bridges.pdf
Hu, X., Downie S. J., Laurier C., Bay M., & Ehmann A. (2008).  The 2007 MIREX Audio Mood Classification Task: Lessons Learned. 9th International Conference on Music Information Retrieval. Abstract
Dalmazzo, D. C., & Ramirez R. (2017).  Air Violin: A Machine Learning Approach to Fingering Gesture Recognition. MIE’17, November 13, 2017, Glasgow, UK. 4. Abstract
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., Gómez F., & Mora J. (2009).  Aproximación interdisciplinar al análisis melódico de los cantes a capella. I Congreso Interdisciplinar Investigación y Flamenco.
application/pdf iconcofla-INFLA2009.pdf
Zapata, J. R., Holzapfel A., Davies M. E. P., Oliveira J., & Gouyon F. (2012).  Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets. 13th International Society for Music Information Retrieval Conference. 157-162. Abstract
application/pdf iconJose_Zapata_et_al_157_ISMIR_2012.pdf
Eremenko, V., Demirel E., Bozkurt B., & Serra X. (2018).  Audio-aligned jazz harmony dataset for automatic chord transcription and corpus-based research. International Society for Music Information Retrieval Conference. Abstract
Dzhambazov, G., Yang Y., Caro Repetto R., & Serra X. (2016).  Automatic Alignment of Long Syllables In A cappella Beijing Opera. 6th International Workshop on Folk Music Analysis (FMA 2016). 88-91. Abstract
application/pdf iconpostprint version
application/pdf iconpresentation slides
Demirel, E., Bozkurt B., & Serra X. (2019).  Automatic Chord-Scale Recognition Using Harmonic Pitch Class Profiles. Sound and Music Computing Conference. 72-79. Abstract
Gómez, P., Pikrakis A., Mora J., Díaz-Báñez J. M., Gómez E., Escobar Borrego F., et al. (2012).  Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
Gómez, F., Pikrakis A., Mora J., Díaz-Báñez J. M., & Gómez E. (2011).  Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
application/pdf iconMML-paper-2011.pdf
Zils, A., Pachet F., Delerue O., & Gouyon F. (2002).  Automatic Extraction of Drum Tracks from Polyphonic Music Signals. Abstract
Herrera, P., Dehamel A., & Gouyon F. (2003).  Automatic Labeling of Unpitched Percussion Sounds. AES 114th Convention. Abstract
Dzhambazov, G., Şentürk S., & Serra X. (2014).  Automatic lyrics-to-audio alignment in classical Turkish music. 4th International Workshop on Folk Music Analysis. 61-64. Abstract
Demirel, E., Bozkurt B., & Serra X. (2018).  Automatic makam recognition using chroma features. International Workshop on Folk Music Analysis. Abstract
Robledo, E., Hinojosa R., & De Boer M. (2002).  A C++ Development platform for Real-time audio processing and synthesis applications. Abstract
Amatriain, X., De Boer M., Robledo E., & Garcia D. (2002).  CLAM An OO Framework for Developing Audio and Music Applications. Abstract
Hansen, K., Alonso M., & Dimitrov S. (2007).  Combining DJ Scratching, Tangible Interfaces And A Physics-Based Model Of Friction Sounds. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2012).  Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail. 4th International Workshop on Advances in Music Information Research.
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., & Mora J. (2008).  Comparative Melodic Analysis of A Cappella Flamenco Cantes. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Kroher, N., Gómez E., Sordo M., Gómez-Martín F., Díaz-Báñez J. M., Mora J., et al. (2014).  Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music. 4th International Workshop On Folk Music Analysis. Abstract
application/pdf iconFMA2014_submission_kroher_et_al.pdf
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