Biblio

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A
Coleman, G., Bonada J., & Maestre E. (2011).  Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
application/pdf icondynmos_spars11.pdf
Cuesta, H., Gómez E., Martorell A., & Loáiciga F. (2018).  Analysis of Intonation in Unison Choir Singing. 15th International Conference on Music Perception and Cognition (ICMPC).
Sordo, M., Laurier C., & Celma Ò. (2007).  Annotating Music Collections How content-based similarity helps to propagate labels. 8th International Conference on Music Information Retrieval. Abstract
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., Gómez F., & Mora J. (2009).  Aproximación interdisciplinar al análisis melódico de los cantes a capella. I Congreso Interdisciplinar Investigación y Flamenco.
application/pdf iconcofla-INFLA2009.pdf
Celma, Ò. (2004).  Architecture for an MPEG-7 Web Browser. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Cano, P., Gómez E., Batlle E., Gomes L., & Bonnet M. (2002).  Audio Fingerprinting Concepts and Applications. Abstract
Cano, P., Batlle E., Gómez E., Gomes L., & Bonnet M. (2005).  Audio Fingerprinting Concepts and Applications.. 233-245. Abstract
Chandna, P. (2016).  Audio Source Separation Using Deep Neural Networks. Abstract
application/pdf iconPritish-Chandna-Master-thesis-2016.pdf
Sordo, M., Celma Ò., & Bogdanov D. (2011).  Audio Tag Classification using Weighted-Vote Nearest Neighbor Classification. Abstract
application/pdf iconmirex2011_abstract.pdf
application/pdf iconmirex2011_audio_tag_poster.pdf
Carabias-Orti, J. J., Rodriguez-Serrano F. J., Vera-Candeas P., Ruiz-Reyes N., & Canadas-Quesada F. J. (2015).  An Audio to Score Alignment Framework using Spectral Factorization and Dynamic Time Warping. 16th International Society for Music Information Retrieval (ISMIR) Conference, 2015..
Gomes, L., Cano P., Gómez E., Bonnet M., & Batlle E. (2003).  Audio Watermarking and Fingerprinting For Which Applications?. Journal of New Music Research. 32, Abstract
Miron, M., Carabias-Orti J. J., & Janer J. (2014).  Audio-to-score alignment at the note level for orchestral recordings. 15th International Society for Music Information Retrieval Conference.
application/pdf iconMironCarabiasJaner2014.pdf
Coleman, G., Maestre E., & Bonada J. (2010).  Augmenting Sound Mosaicing with Descriptor-driven Transformation. Digital Audio Effects. Abstract
application/pdf icondafx10_augmos.pdf
Dzhambazov, G., Yang Y., Caro Repetto R., & Serra X. (2016).  Automatic Alignment of Long Syllables In A cappella Beijing Opera. 6th International Workshop on Folk Music Analysis (FMA 2016). 88-91. Abstract
application/pdf iconpostprint version
application/pdf iconpresentation slides
Cimarone, L., Bozkurt B., & Serra X. (2019).  Automatic Dastgah Recognition Using Markov Models. 14th International Symposium on Computer Music Multidisciplinary Research (CMMR). 51-58. Abstract
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Vallverdu, J., Casacuberta, D., Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
application/pdf iconPre-print version
Can, C. (2019).  Automatic Discrimination of Domestic Cat Sounds and Imitations. Abstract
Won, M., Chun S., Nieto O., & Serra X. (2019).  Automatic music tagging with Harmonic CNN. International Society for Music Information Retrieval (ISMIR). Abstract
Cherla, S., Purwins H., & Marchini M. (2013).  Automatic phrase continuation from guitar and bass guitar melodies. Computer Music Journal. 37, 68–81.
Cherla, S. (2011).  Automatic Phrase Continuation from Guitar and Bass-guitar Melodies. Abstract
Cuesta, H., & Gómez E. (2017).  Automatic Pitch Estimation in Choir Singing Recordings using Deep Learning Strategies.
Batlle, E., & Cano P. (2000).  Automatic Segmentation for Music Classification using Competitive Hidden Markov Models. Abstract
Cano, P., & Koppenberger M. (2004).  Automatic sound annotation. Abstract
Rodríguez, S., Gómez E., & Cuesta H. (2018).  Automatic Transcription of Flamenco Guitar Falsetas. International Workshop on Folk Music Analysis.
B
Srinivasamurthy, A., Subramanian S., Tronel G., & Chordia P. (2012).  A Beat Tracking Approach to Complete Description of Rhythm in Indian Classical Music. 2nd CompMusic Workshop.
application/pdf iconCompMusicWorkshop_1.pdf
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