Biblio
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Adding Dynamic Smoothing to Mixture Mosaicing Synthesis.
Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
(2011).
Analysis of Intonation in Unison Choir Singing.
15th International Conference on Music Perception and Cognition (ICMPC).
(2018).
Annotating Music Collections How content-based similarity helps to propagate labels.
8th International Conference on Music Information Retrieval. Abstract
(2007).
Aproximación interdisciplinar al análisis melódico de los cantes a capella.
I Congreso Interdisciplinar Investigación y Flamenco.
(2009).
Architecture for an MPEG-7 Web Browser.
5th International Conference on Music Information Retrieval (ISMIR). Abstract
(2004).
(2005).
(2016).
(2011).
An Audio to Score Alignment Framework using Spectral Factorization and Dynamic Time Warping.
16th International Society for Music Information Retrieval (ISMIR) Conference, 2015..
(2015).
Audio Watermarking and Fingerprinting For Which Applications?.
Journal of New Music Research. 32, Abstract
(2003).
Audio-to-score alignment at the note level for orchestral recordings.
15th International Society for Music Information Retrieval Conference.
(2014).
Augmenting Sound Mosaicing with Descriptor-driven Transformation.
Digital Audio Effects. Abstract
(2010).
Automatic Alignment of Long Syllables In A cappella Beijing Opera.
6th International Workshop on Folk Music Analysis (FMA 2016). 88-91. Abstract
(2016).
Automatic Dastgah Recognition Using Markov Models.
14th International Symposium on Computer Music Multidisciplinary Research (CMMR). 51-58. Abstract
(2019).
Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines.
( , Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
(2009).
Automatic music tagging with Harmonic CNN.
International Society for Music Information Retrieval (ISMIR). Abstract
(2019).
Automatic phrase continuation from guitar and bass guitar melodies.
Computer Music Journal. 37, 68–81.
(2013).
(2000).
(2004).
Automatic Transcription of Flamenco Guitar Falsetas.
International Workshop on Folk Music Analysis.
(2018).
(2012).