Biblio

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1991
Austin, L., Boone C., & Serra X. (1991).  Transmission Two: The Great Excursion (TT:TGE): The Aesthetic, Art and Science of a Composition for Radio. Leonardo Music Journal. 1(1), 81-88. Abstract
1994
Serra, X., & Brncic G. (1994).  Phonos: Studio Report. International Computer Music Conference. 488-489. Abstract
1997
Bonada, J. (1997).  Desenvolupament d'un entorn gràfic per a l`anàlisi, transformació i síntesi de sons mitjançant models espectrals. Abstract
Serra, X. (1997).  Musical Sound Modeling with Sinusoids plus Noise. (Roads, C., Pope, S., Picialli, A., De Poli, G., Ed.).Musical Signal Processing. 91-122. Abstract
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Serra, X., Bonada J., Herrera P., & Loureiro R. (1997).  Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. International Computer Music Conference. Abstract
1998
Amatriain, X., Bonada J., & Serra X. (1998).  METRIX A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer. International Conference on Digital Audio Effects. Abstract
Serra, X., & Bonada J. (1998).  Sound Transformations Based on the SMS High Level Attributes. International Conference on Digital Audio Effects. Abstract
Herrera, P., & Bonada J. (1998).  Vibrato Extraction and Parameterization in the Spectral Modeling Synthesis framework. Digital Audio Effects 1998. Abstract
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1999
Loscos, A., Cano P., & Bonada J. (1999).  Low-Delay Singing Voice Alignment to Text. International Computer Music Conference. Abstract
Cano, P., Loscos A., & Bonada J. (1999).  Score-Performance Matching using HMMs. International Computer Music Conference. Abstract
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Blankertz, B., Purwins H., & Obermayer K. (1999).  Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract
2000
Batlle, E., & Cano P. (2000).  Automatic Segmentation for Music Classification using Competitive Hidden Markov Models. Abstract
Wright, M., Beauchamp J., Fitz K., Rodet X., Roebel A., Serra X., et al. (2000).  Analysis/synthesis comparison. Organized Sound. 5, pp 173-189. Abstract
Bonada, J. (2000).  Automatic Technique in Frequency Domain for Near-Lossless Time-Scale Modification of Audio. International Computer Music Conference. 396-399. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2000).  Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2000).  A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
Herrera, P., Amatriain X., Batlle E., & Serra X. (2000).  Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques. International Conference on Music Information Retrieval. Abstract
De Boer, M., Bonada J., Cano P., Loscos A., & Serra X. (2000).  Singing Voice Impersonator Application for PC. International Computer Music Conference. Abstract
De Boer, M., Bonada J., & Serra X. (2000).  Using the Sound Description Interchange Format within the SMS Applications. International Computer Music Conference. Abstract
Cano, P., Loscos A., Bonada J., De Boer M., & Serra X. (2000).  Voice Morphing System for Impersonating in Karaoke Applications. International Computer Music Conference. Abstract
2001
Jordà, S., & Barbosa A. (2001).  Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF. Abstract
Neuschmied, H., Mayer H., & Batlle E. (2001).  Identification of Audio Titles on Internet. Abstract
Gomes, L., Gómez E., Bonnet M., & Moreau N. (2001).  Méthodes de resynchronisation pour le tatouage audio. Abstract
Cano, P., Kaltenbrunner M., Mayor O., & Batlle E. (2001).  Statistical Significance in Song-Spotting in Audio. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2001).  Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.
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