Biblio

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Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
Kaltenbrunner, M., Jordà S., Geiger G., & Alonso M. (2006).  The reacTable* A Collaborative Musical Instrument. Abstract
Jordà, S., Geiger G., Alonso M., & Kaltenbrunner M. (2007).  The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces. Conference on tangible and embeded interaction. Abstract
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Serrà, J., Corral A., Boguñá M., Haro G. G., & Arcos J. L. (2012).  Quantifying the evolution of popular music. NoLineal. Abstract
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Monzo, C., Formiga L., Adell J., Mayor O., Bonada J., Janer J., et al. (2009).  Properly Using Speech Synthesis and Voice Transformation for Audiovisual Content Generation. (IBC, Ed.).International Broadcasting Conference (IBC2009). Abstract
Serrà, J., Kantz H., Serra X., & Andrzejak R. G. (2011).  Predictability of music descriptor time series and its application to cover song detection. IEEE Transactions on Audio, Speech, and Language Processing. 20(2), 514-525. Abstract
application/pdf iconIEEEPredictabilitySupplementary.pdf
Anniés, R., Adiloglu K., & Purwins H. (2009).  Playing with {SID}. Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
application/pdf iconAnniesAdilogluPurwins_SID_SoundPlay.pdf
Alonso, C. (2007).  Pitch-Synchronous Multiresolution Analysis of Music Signals. Abstract
Bozkurt, B. (2014).  Pitch Histogram based analysis of Makam Music in Turkey. (Ayari, Mondher, Lai, Antonio, Ed.).LES CORPUS DE L'ORALITÉ. Abstract
Bozzon, A., Laurier C., Pihlajamaa O., Aichroth P., Nejdl W., Debald S., et al. (2009).  Pharos: an audiovisual search platform. International Conference on Special Interest Group on Information Retrieval (SIGIR). 841. Abstract
Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
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Janer, J., Gorlow S., & Arimoto K. (2014).  OBRAMUS: A System for Object-Based Retouch of Amateur Music. 137th AES Convention.
application/pdf iconpaper137_submit.pdf
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
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Serrà, J., de los Santos C. A., & Andrzejak R. G. (2011).  Nonlinear audio recurrence analysis with application to genre classification. IEEE International Conference on Acoustics, Speech and Signal processing (ICASSP). 169-172. Abstract
application/pdf iconserraetal_icassp2011.pdf
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Serra, X. (2002).  The Musical Communication Chain and its Modeling. (Assayag, G., Fechtinger, H. G., Rodrigues, J. F., Ed.).Mathematics and Music. 243-255. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Hansen, K., & Alonso M. (2008).  More DJ techniques on the reactable. NIME08. Abstract
Serrà, J., Kantz H., & Andrzejak R. G. (2010).  Model-based cover song detection via threshold autoregressive forecasts. ACM Multimedia, Int. Workshop on Machine Learning and Music (MML). 13-16. Abstract
application/pdf iconmml0823-serra.pdf
Amatriain, X. (1999).  Metrix A musical description language for a spectral modeling based synthesizer. Abstract
Amatriain, X., Bonada J., & Serra X. (1998).  METRIX A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer. International Conference on Digital Audio Effects. Abstract
Atlı, H. S., Bozkurt B., & Şentürk S. (2015).  A method for tonic frequency identification of Turkish makam music recordings. 5th International Workshop on Folk Music Analysis (FMA). 119-122. Abstract
application/pdf iconpost-print
Gómez, E., Grachten M., Amatriain X., & Arcos J. L. (2003).  Melodic characterization of monophonic recordings for expressive tempo transformations. Abstract
Serrà, J., Corral A., Boguñá M., Haro G. G., & Arcos J. L. (2012).  Measuring the evolution of contemporary western popular music. Scientific Reports. 2(521),  Abstract
Jordà, S., & Alonso M. (2006).  Mary had a little scoreTable* or the reacTable* goes melodic. New Interfaces for Musical Expression (NIME). Abstract
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