Biblio

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Amatriain, X., & Herrera P. (2001).  Audio Content Transmission. Abstract
Amatriain, X., & Arumí P. (2005).  Developing Cross-platform Audio and Music Applications with the CLAM Framework. Abstract
Amatriain, X., Bonada J., & Serra X. (1998).  METRIX A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer. International Conference on Digital Audio Effects. Abstract
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
Amatriain, X., Arumí P., & Ramírez M. (2002).  CLAM, Yet Another Library for Audio and Music Processing?. Proceedings of 17th Annual ACM Conference on Object-Oriented Programming, Systems, Languages and Applications; Seattle (USA). Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438. Abstract
Anglade, A., Ramirez R., & Dixon S. (2009).  Genre Classification using Harmony Rules Induced from Automatic Chord Transcriptions. International Society for Music Information Retrieval Conference. Abstract
Angulo, I. (2016).  Hexaphonic Guitar Transcription and Visualization. Abstract
application/pdf iconIñigo-Angulo-Master-thesis-2016.pdf
Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007).  Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract
Anniés, R., Adiloglu K., & Purwins H. (2009).  Playing with {SID}. Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
application/pdf iconAnniesAdilogluPurwins_SID_SoundPlay.pdf
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Saxex a Case-Based Reasoning System for Generating Expressive Musical Performances. Journal of New Music Research. 27(3), 194-210. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1997).  Saxex a Case-Based Reasoning System for Generating Expressive Musical Performances. International Computer Music Conference. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Integrating background musical knowledge in a CBR system for generating expressive musical performances. AAAI'98 Workshop on CBR Integrations. Abstract
Arredondo Garrido, J. (2017).  Retrieval of Drum Samples by High-Level Descriptors. Abstract
Arumí, P., & Amatriain X. (2005).  CLAM, An Object-Oriented Framework for Audio and Music. Abstract
Arumí, P., Sordo M., Garcia D., & Amatriain X. (2006).  Testfarm, una eina per millorar el desenvolupament del programari lliure. Abstract
Arumí, P., Garcia D., & Amatriain X. (2003).  CLAM, Una llibreria lliure per Audio i Música. Abstract
Arumí, P. (2002).  CLAM C++ Library for Audio and Music.
Arumí, P. (2006).  Towards a Pattern Language for Sound and Music Computing. Abstract
Arumí, P., Garcia D., & Amatriain X. (2006).  A Data Flow Pattern Language for Audio and Music Computing. Abstract
Atıcı, B. M., Bozkurt B., & Şentürk S. (2015).  A culture-specific analysis software for makam music traditions. 5th International Workshop on Folk Music Analysis (FMA). Abstract
application/pdf iconFMA2015_bilgemiracatici_fullpaper.pdf
Atlı, H. S., Uyar B., Şentürk S., Bozkurt B., & Serra X. (2014).  Audio Feature Extraction for Exploring Turkish Makam Music. 3rd International Conference on Audio Technologies for Music and Media. Abstract
Atlı, H. S., Şentürk S., Bozkurt B., & Serra X. (2017).  Synthesis of Turkish Makam Music Scores Using An Adaptive Tuning Approach. 7th International Workshop on Folk Music Analysis (FMA). 66-71. Abstract
Atlı, H. S., Bozkurt B., & Şentürk S. (2015).  A method for tonic frequency identification of Turkish makam music recordings. 5th International Workshop on Folk Music Analysis (FMA). 119-122. Abstract
application/pdf iconpost-print
Austin, L., Boone C., & Serra X. (1991).  Transmission Two: The Great Excursion (TT:TGE): The Aesthetic, Art and Science of a Composition for Radio. Leonardo Music Journal. 1(1), 81-88. Abstract
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